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16,371 results for Edzard

Spanish Woman with a Fan, Dietz Edzard  German, Oil on canvas
Art

Spanish Woman with a Fan

1943

Dietz Edzard

Oil on canvas
Prima Ballerina, Dietz Edzard  German, Oil on canvas
Art

Prima Ballerina

1945

Dietz Edzard

Oil on canvas
Dancer with Castanets, Dietz Edzard  German, Oil on canvas
Art

Dancer with Castanets

1945

Dietz Edzard

Oil on canvas
Spanish Dancer, Dietz Edzard  German, Oil on canvas
Art

Spanish Dancer

1943

Dietz Edzard

Oil on canvas
Spanish Dancers, Dietz Edzard  German, Oil on canvas
Art

Spanish Dancers

1943

Dietz Edzard

Oil on canvas
Spanish Woman, Dietz Edzard  German, Oil on canvas
Art

Spanish Woman

1943

Dietz Edzard

Oil on canvas
Image for The Robert Lehman Collection. Vol. 3, Nineteenth- and Twentieth-Century Paintings
Robert Lehman (1891–1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouaualt, Dalí, and Balthus. There are also newly researched modern works by Vicente o Rego Monteiro, Kees van Dongen, Dietz Edzard, and D. G. Kulkarni (DIZI). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Image for Edvard Munch: Between the Clock and the Bed
Past Exhibition

Edvard Munch: Between the Clock and the Bed

November 15, 2017–February 4, 2018
Image for Edvard Munch: Between the Clock and the Bed
In Self-Portrait: Between the Clock and the Bed, the elderly Edvard Munch stands like a sentinel in his bedroom/studio surrounded by the works that constitute his artistic legacy. A powerful meditation on art, mortality, and the ravages of time, this haunting painting conjures up the Norwegian master’s entire career. It also calls into question certain long-held myths surrounding Munch—that his work declined in quality after his nervous breakdown in 1908–9, that he was a commercially naive social outsider, and that he had only a limited role in the development of European modernism. The present volume aims to rebut such misconceptions by freshly examining this enigmatic artist. In the preface, the renowned novelist Karl Ove Knausgaard considers Munch as a fellow creative artist and seeks to illuminate the source of his distinctive talent. The four groundbreaking essays that follow present numerous surprising insights on matters ranging from Munch’s radical approach to self-portraiture to his role in promoting his own career. They also reveal that Munch has been an abiding inspiration to fellow painters, both during his lifetime and up to the present; artists as varied as Jasper Johns, Bridget Riley, Asger Jorn, and Georg Baselitz have acknowledged his influence. More than sixty of Munch’s paintings, dating from the beginning of his career in the early 1880s to his death in 1944, are accompanied by a generous selection of comparative illustrations and a chronology of the artist’s life. The result is an intimate, provocative study that casts new light on Munch’s unique oeuvre—an oeuvre that Knausgaard describes as having gone “where only a painting can go, to that which is beyond words, but which is still part of our reality.”
Image for Edward Lycett (1833–1910)
Essay

Edward Lycett (1833–1910)

February 1, 2012

By Barbara Veith

Lycett’s artistic talent and entrepreneurial skill fueled the dramatic upward trajectory of his success and distinguish his story from those of many industrious immigrants to the land of opportunity.