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519 results for Elizabeth Catlett

Image for Missionaries Making Music: Building Mary Elizabeth Adams Brown's Collection
editorial

Missionaries Making Music: Building Mary Elizabeth Adams Brown's Collection

July 28, 2014

By Sally B. Brown

Guest author Sally Brown—the great-granddaughter of Mary Elizabeth Adams Brown—highlights the importance of her family's relationship with missionaries across the world in growing what was to become the Crosby Brown Collection of Musical Instruments.
Image for Mary Elizabeth Adams Brown's Collection Celebrates 125 Years at the Met
editorial

Mary Elizabeth Adams Brown's Collection Celebrates 125 Years at the Met

February 18, 2014

By Sally B. Brown

Guest author Sally Brown—the great-granddaughter of Mary Elizabeth Adams Brown—accounts for her great-grandmother's passion for musical instruments, and the circumstances that led to her famous donation to the Metropolitan 125 years ago.
Image for Curator Conversation: Seeing the Northern Renaissance through Contemporary Eyes with Elizabeth Cleland
editorial

Curator Conversation: Seeing the Northern Renaissance through Contemporary Eyes with Elizabeth Cleland

December 28, 2017

By Will Fenstermaker

Editor Will Fenstermaker tours Relative Values with Associate Curator Elizabeth Cleland, discussing the value of art in the northern Renaissance.
Image for Elizabeth Kornhauser on Jules Tavernier
video

Elizabeth Kornhauser on Jules Tavernier

July 14, 2016

By Elizabeth Mankin Kornhauser

"Does hindsight intensify meaning?" Elizabeth Kornhauser on the implications of Jules Tavernier's painting _Dance in a Subterranean Roundhouse at Clear Lake, California._
Image for *Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry*—Interview with Author Elizabeth Cleland
editorial

Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry—Interview with Author Elizabeth Cleland

October 15, 2014

By Rachel High

Editorial Assistant Rachel High discusses the exhibition catalogue Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry with author and Assistant Curator Elizabeth Cleland.
Press Release

The Met Receives Gift From Pinkowitz Collection of More Than 300 Prints by Artists From or Working in Mexico, Making the Museum One of the Most Important Repositories of Mexican Prints in the United States

Image for Elizabethan England
Essay

Elizabethan England

October 1, 2002

By James Voorhies

Elizabeth I’s admiration for the arts, along with England’s economic buoyancy during her reign, provided ripe conditions for the production of enduring hallmarks in the visual, decorative, and performing arts.
Image for The Tudors: Art and Majesty in Renaissance England Virtual Opening
video

The Tudors: Art and Majesty in Renaissance England Virtual Opening

October 19, 2022
Join curators Elizabeth Cleland and Adam Eaker to explore _The Tudors_, which traces the transformation of the arts in Tudor England through more than 100 objects.
Press Release

In a Contemporary Dialogue with the Exhibition Winslow Homer: Crosscurrents, The Met Presents Works by Artists Elizabeth Colomba, Hugh Hayden, Kerry James Marshall, and Kara Walker

Image for Delicate, Quiet Beauty: The Viola da Gamba
editorial

Delicate, Quiet Beauty: The Viola da Gamba

June 25, 2014

By Elizabeth Weinfield

Editorial Associate Elizabeth Weinfield highlights the unique physical beauty of the viola da gamba.
Image for Woman Fixing Her Hair
Art

Woman Fixing Her Hair

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1993
Accession Number: 1993.217

Image for For Colored Only
Art

For Colored Only

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1946
Accession Number: 1999.529.29

Image for . . . In Other Folks’ Homes, from “The Negro Woman” series
Art

. . . In Other Folks’ Homes, from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1946
Accession Number: 1999.529.32

Image for . . . Special Houses, from “The Negro Woman” series
Art

. . . Special Houses, from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1946
Accession Number: 1999.529.37

Image for My Reward Has Been Bars Between Me and the Rest of the Land, from “The Negro Woman” series
Art

My Reward Has Been Bars Between Me and the Rest of the Land, from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1947
Accession Number: 1999.529.35

Image for Mother and Child
Art

Mother and Child

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1944
Accession Number: 1999.529.34

Image for In Sojourner Truth I Fought for the Rights of Women as well as Negroes, from “The Negro Woman” series
Art

In Sojourner Truth I Fought for the Rights of Women as well as Negroes, from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1947
Accession Number: 1999.529.30

Image for I Have Always Worked Hard in America . . ., from “The Negro Woman” series
Art

I Have Always Worked Hard in America . . ., from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1946
Accession Number: 1999.529.31

Image for . . . In the Fields, from “The Negro Woman” series 
Art

. . . In the Fields, from “The Negro Woman” series 

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1947
Accession Number: 1999.529.33

Image for My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series
Art

My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series

Elizabeth Catlett (American and Mexican, Washington, D.C. 1915–2012 Cuernavaca)

Date: 1947
Accession Number: 1999.529.36