By carving symbolic designs into recycled tires, Betsabeé Romero creates artworks that reference ancient motifs and evoke reflections on movement.

Brooke Bates, development officer for Apollo Circle and Travel Program, recounts the group's stops in Lamego and Régua in Portugal.

Former Intern Ursula Romero discusses digitizing textile sample books in Thomas J. Watson Library.

Managing Archivist Jim Moske writes on a Museum acquisition form filled out by prominent modern artists including Isamu Noguchi.

Join featured artists and the curator of the exhibitions “Water Memories” and “Art of Native America: The Charles and Valerie Diker Collection” for a conversation exploring the significance of water to diverse Indigenous peoples and Nations in the United States, as expressed through historical, modern, and contemporary art. Delve into the artists’ artistic processes while examining the ongoing work to protect water and land, aesthetic activism, and the unique challenges contemporary Indigenous artist-activists face.

Traditional Bamana society was a gerontocracy governed by a council of elders, and the tòn enabled young Bamana men to organize themselves into a workforce and represent their interests to their superiors.

Greek artists rapidly assimilated foreign styles and motifs into new portrayals of their own myths and customs, thereby forging the foundations of Archaic and Classical Greek art.