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1,316 results for Paul Cezanne

Image for Paul Cézanne (1839–1906)
Essay

Paul Cézanne (1839–1906)

October 1, 2004

By James Voorhies

Cézanne ignores the laws of classical perspective, allowing each object to be independent within the space of a picture while the relationship of one object to another takes precedence over traditional single-point perspective.
Image for Madame Cézanne
Publication

Madame Cézanne

Paul Cézanne’s portraits of Hortense Fiquet rank among his most powerful and iconic works. Yet posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband’s “lackluster” landscapes, and disdained for her impenetrable expression in his paintings—if she was acknowledged at all. The reality is much more complex, for while Fiquet and Cézanne shared a difficult relationship, she was a willing collaborator as the artist’s model, wife, mother of his only son, and unwavering partner. Madame Cézanne examines for the first time this unconventional relationship in the context of Cézanne as a painter, draftsman, and portraitist while shedding light on the most personal dialogue of all, that of artist and muse. Biographical essays are supplemented by groundbreaking interpretations of Cézanne’s portraits and captivating discussions of the artist’s working methods. Featuring all twenty-nine of Cézanne’s oil portraits of Fiquet and most of the known drawings and watercolors, Madame Cézanne both reconsiders, with insight and compassion, the long-held misconceptions about the Cézannes’ marriage, and shows how Cézanne’s portraits of his wife provide a lens through which to understand his masterly technique at the advent of modernism.
Image for Interview with Dita Amory, Curator and Co-author of *Madame Cézanne*
Rachel High explores the enigmatic Hortense Fiquet with Madame Cézanne curator and catalogue co-author Dita Amory.
Image for MetKids Mail: Still Lifes with Apples by Paula, Age 6, and Paul Cézanne
Emily Sutter, producer and editor of #MetKids, responds to Paula, age 6, who sent a painting of a still life with apples.
Image for Paul Poiret (1879–1944)
Essay

Paul Poiret (1879–1944)

September 1, 2008

By Andrew Bolton and Harold Koda

In Paris, [Paul Poiret] was simply Le Magnifique, a suitable soubriquet for a couturier who employed the language of orientalism to develop the romantic and theatrical possibilities of clothing.
Press Release

Madame Cézanne

Image for Paul Klee (1879–1940)
Essay

Paul Klee (1879–1940)

October 1, 2004

By Sabine Rewald

The limpid light of North Africa awakened [Paul Klee’s] sense of color. During his stay, Klee gradually detached color from physical description and used it independently, which gave him the final needed push toward abstraction.
Image for _Honor, an Artist Lecture by Suzanne Bocanegra starring Lili Taylor_
Watch artist Suzanne Bocanegra present Honor, a stage work that masquerades as an artist lecture about one of The Met's most important 16th-century tapestries.
Image for Behind the Portraits of Madame Cézanne
editorial

Behind the Portraits of Madame Cézanne

March 6, 2015

By Desiree

High School Intern Desiree explores Paul Cézanne's paintings of his wife, Hortense Fiquet, and asks what the works say about the pair's relationship and Cézanne's artistic practices.
Image for Materialized Space: The Architecture of Paul Rudolph
Past Exhibition

Materialized Space: The Architecture of Paul Rudolph

September 30, 2024–March 16, 2025
The Met presents the first-ever major museum exhibition to examine the career of the influential 20th-century architect Paul Rudolph, a second-generation Modernist, who came to prominence during the 1950s and 1960s alongside peers such as Eero Saar…
Image for Still Life with Apples and a Pot of Primroses

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: ca. 1890
Accession Number: 51.112.1

Image for The Card Players

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: 1890–92
Accession Number: 61.101.1

Image for Trees and Houses Near the Jas de Bouffan

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: 1885–86
Accession Number: 1975.1.160

Image for Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: 1888–90
Accession Number: 62.45

Image for View of the Domaine Saint-Joseph

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: late 1880s
Accession Number: 13.66

Image for Mont Sainte-Victoire and the Viaduct of the Arc River Valley

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: 1882–85
Accession Number: 29.100.64

Image for The Gulf of Marseille Seen from L'Estaque

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: ca. 1885
Accession Number: 29.100.67

Image for Seated Peasant

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: ca. 1892–96
Accession Number: 1997.60.2

Image for Dish of Apples

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: ca. 1876–77
Accession Number: 1997.60.1

Image for Still-Life with a Watermelon and Pomegranates

Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Date: 1900–1906
Accession Number: 2001.202.1