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1,086 results for chobunsai eishi

Image for The Musical Legacy of Ostad Elahi
Watch an exploration of the musical legacy of Ostad Elahi through his remarkable art of the tanbūr.
Image for Something Fishy Going On
editorial

Something Fishy Going On

March 9, 2017

By Maryan Ainsworth

Curator Maryan Ainsworth examines some "fishy" details in a painting by Beuckelaer recently acquired by The Met.
Image for Travel with the Met: Wooden Architecture and Mysticism on Kizhi Island
Our local guide explained that the first settlers to the Kizhi Island area in the sixteenth century practiced two religions simultaneously: Russian Orthodox Christianity and pre-Christian pagan mysticism.
Image for Recent Acquisition: Reverse-Painted Dish with Abraham and Melchizedek
Tim Husband, curator in the Department of Medieval Art and The Cloisters, introduces a reverse-painted dish that recently entered The Cloisters Collection.
Image for Re-Used Blocks from the Pyramid of Amenemhet I at Lisht
The limestone reliefs termed "Lisht Blocks" presented in this volume were found by the Metropolitan Museum's Egyptian Expedition, which was active at Lisht from 1906 to 1934. They had been removed from earlier, probably already dilapidated, buildings by Amenemhet I, founder of the XII Dynasty, and used in the construction of his own pyramid and funerary temple. With the passage of time both pyramid and temple fell into disrepair; these blocks became accessible, as they had been placed near the surface of the pyramid, in the lining of its corridors, and in the foundations of the temple. When the excavation of the northern part of the site was concluded in 1922, the work of publishing the Lisht Blocks was undertaken by Caroline Ransome Williams; Lindsley Foote Hall made the line drawings that appear in the present volume under Mrs. Williams's direction. Mrs. Williams, however, found it necessary to retire before the completion of the work. The project was revived when William C. Hayes became Curator and entrusted the publication of the blocks to Hans Goedicke. Dr. Goedicke has divided the reliefs into two groups, those antedating, or probably antedating, Amenemhet I, and those contemporary with him or later. Only the first group is treated here. The importance of the Lisht Blocks is universally recognized by Egyptologists, and it is gratifying that these unique antiquities are, in this publication, becoming generally available.
Image for Middle Kingdom Tomb Architecture at Lisht: The Metropolitan Museum of Art Egyptian Expedition
The exploration of the Middle Kingdom cemeteries at El-Lisht, twenty miles south of Cairo, began in 1882, with the opening of the entrances to the pyramids of Amenenmhat I and Senwosret I. From 1906 to 1934 and again from 1984 to 1991 the Egyptian Expedition of The Metropolitan Museum of Art, New York, worked intensively at the Lisht site. In the present volume Dieter Arnold describes and documents the architecture and wall decoration of tombs built for courtiers and officials around the two royal pyramids at Lisht. Ancient tomb robbers and quarrymen had almost totally denuded the Middle Kingdom buildings, but excavation and careful study of remaining foundations, architectural elements, and fragments of relief decoration have enabled the author and his team to reconstruct to a fair degree the form and appearance of these masterpieces of ancient Egyptian architecture. The textual portion ends with an appendix written by James P. Allen, professor of Egyptology at Brown University, that reviews an important biographical inscription from one of the tombs. This amply illustrated volume, which also publishes for the first time one of the most highly artistic painted sarcophagi of the Middle Kingdom, is the twenty-eighth in the series documenting the Museum's fieldwork in Egypt. It provides the architectural background for innumerable sculptures and small objects excavated in the tombs at El-Lisht that are now part of the collections of the Egyptian Museum, Cairo, and of The Metropolitan Museum of Art.
Image for Artist Interview Series: Shi Guorui
Shi Guorui discusses his work in Ink Art: Past as Present in Contemporary China.
Image for Eight Hundred Varieties of Tulip
editorial

Eight Hundred Varieties of Tulip

May 3, 2014

By Gwen Roginsky

Gwen Roginsky, associate publisher and general manager of the Museum's Editorial Department, describes the myriad varieties of Dutch tulip encountered during a trip to the Keukenhof Gardens.
Image for "Qian Xuan’s Loyalist Revision of Iconic Imagery in Tao Yuanming Returning Home and Wang Xizhi Watching Geese"
The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection. Highlights of volume 54 include conservators’ discoveries of Renaissance sculptor Andrea della Robbia’s workshop techniques; a new reading of lavishly dressed women on tile panels from 17th-century Iran; and John Singer Sargent’s decisive role in choosing his socialite sitters’ fashionable attire.
Image for Three Gods of Good Fortune Visit the Yoshiwara; or “Scenes of Pleasure at the Height of Spring”

Chōbunsai Eishi (Japanese, 1756–1829)

Date: early 19th century
Accession Number: 2015.300.145

Image for A Man and a Girl Walking in the Rice Fields

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1780
Accession Number: JP178

Image for Geisha Preparing for an Entertainment

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1794
Accession Number: JP182

Image for Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1794
Accession Number: JP184

Image for Print
Art

Print

Chōbunsai Eishi (Japanese, 1756–1829)

Accession Number: JP1096b

Image for Print
Art

Print

Chōbunsai Eishi (Japanese, 1756–1829)

Accession Number: JP1096a

Image for The Willow Shell (Yanagi-kai), from an Untitled Set of Beauty Prints on the Theme of Shells

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1791
Accession Number: JP944

Image for Ono no Komachi Praying for Rain

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1791
Accession Number: JP2420

Image for A Girl with a Fan

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1780
Accession Number: JP179

Image for The Treasure Boat

Chōbunsai Eishi (Japanese, 1756–1829)

Date: ca. 1795
Accession Number: JP951