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3,725 results for dress 1870

Image for From Queen to Empress: Victorian Dress, 1837–1877
This lively, illustrated book about Victorian costume during the first part of Queen Victoria's reign is a delightful introduction to a particularly rich era in costume history. From Queen to Empress vividly evokes fashionable society in Victorian England and America through paintings of the period, contemporary illustrations and photographs, and striking costume photographs taken especially for this volume. In separate chapters devoted to royal influence, underdress, evening and day wear, mourning attire, wedding clothes, and court dress, the author, a member of the staff of The Costume Institute at The Metropolitan Museum of Art, offers a highly readable account of the ways in which fashion influenced the dress of all but the very poorest sections of the population. By 1837, the year of Victoria's accession to the throne, the simple silhouette and printed cottons of the early nineteenth century had already begun to give way to a more elaborate style of dress. Luxurious silks and an extraordinary diversity of shapes—including huge domed skirts and elaborately molded corsets made possible by new dressmaking techniques—marked the fashionable Victorian woman by the time Queen Victoria was declared Empress of India. From Queen to Empress accompanies an exhibition opening at The Metropolitan Museum of Art in December 1988.
Image for (Im)mortal Fashion: Iris van Herpen’s “Skeleton” Dress
This 3-D–printed nylon dress challenges the standard conservation approaches deployed by Costume Institute conservators in the preservation of fashion.
Image for Eighteenth-Century European Dress
Essay

Eighteenth-Century European Dress

October 1, 2003

By Oriole Cullen

Dress of the eighteenth century is not without anachronisms and exoticisms of its own, but that singular, changing, revolutionizing century has become an icon in the history of fashion.
Image for Renaissance Fashion and Dress Codes
editorial

Renaissance Fashion and Dress Codes

March 5, 2012

By Evelin

Teen Advisory Group Member Evelin writes about dress codes in fifteenth-century Italy.
Image for Post-Revolutionary America: 1800–1840
Essay

Post-Revolutionary America: 1800–1840

April 1, 2007

By David Jaffee

… although Americans had begun to identify themselves as a nation, they were divided by sectional interests that deepened with rapid industrialization and the question of slavery.
Image for Classicism in Modern Dress
Essay

Classicism in Modern Dress

October 1, 2003

By Harold Koda

Although components of Hellenic attire have appeared throughout Western fashion’s 600-year history, it is only from the 1790s to the 1810s that classicized forms are embraced as the prevailing mode.
Image for Industrialization and Conflict in America: 1840–1875
The rapid shift from an agrarian to industrial economy and the growth of the business sector, with their attendant social and economic dislocations, spurred the development of a powerful ideology in which private and public spheres were considered antithetical.
Image for François Boucher, 1703–1770
François Boucher (1703–1770), the friend and protégé of Mme de Pompadour, was the greatest French artist and decorator of the Rococo period. His prolific oeuvre has been both lauded and derided, but it is not until now—in this volume accompanying an exhibition held at The Metropolitan Museum of Art and The Detroit Institute of Arts—that his art has been fully studied and appreciated. Alastair Laing, the principal author of this volume, shows that Boucher's work represents the acme of French eighteenth-century fine and decorative arts. With the exception of a trip to Italy in his mid-twenties to study the work of Renaissance masters, Boucher lived and worked in Paris. His artistic progression, through religious themes, mythological subjects, genre painting, landscape, and portraiture, is thoroughly documented in this catalogue. The patronage of Mme de Pompadour, mistress of Louis XV, ensured a large demand for Boucher's work, including drawings, prints and paintings, as well as tapestry and porcelain designs. His art traveled throughout northern Europe, and formed the essence of the French Rococo style sought after by patrons and emulated by artists in Stockholm, Copenhagen, Saint Petersburg, and Munich. A large collection of these works is illustrated in this volume. In addition, little-known or misattributed early works have been brought to light, showing Boucher's first experiments with composition and color. His designs reproduced in tapestry at Beauvais and Gobelins, and in porcelain at Vincennes and Sèvres, are illuminated in lively discussions by Edith Standen, Consultant, European Sculpture and Decorative Arts, The Metropolitan Museum of Art, and by Antoinette Fay-Halle, Conservateur, Musée Nationale de Céramique, Sèvres, and Conservateur, Musée Nationale Adrien-Dubouché, Limoges. Preliminary essays by Alastair Laing, Pierre Rosenberg, Conservateur-en-chef, Département des peintures, Musée du Louvre, and J. Patrice Marandel, Curator, European Paintings, The Detroit Institute of Arts, provide the necessary foundation for a complete appreciation of the artist's work. Augmented by a detailed chronology and bibliography, this volume comprehensively defines a painter of extraordinary productivity, diversity, and influence. It gives the reader a chance to examine with fresh eyes the range of styles and subject matter of an artist who epitomizes the splendid taste of his time—François Boucher.
Image for The Chiton, Peplos, and Himation in Modern Dress
Essay

The Chiton, Peplos, and Himation in Modern Dress

October 1, 2003

By Harold Koda

In the absence of any surviving clothing, art and literature provide the only evidence of classical dress, opening a Pandora’s box of confusion and contradiction.
Image for Dress
Art

Dress

Date: ca. 1870
Accession Number: 2019.456.27

Image for Dress
Art

Dress

Date: ca. 1870
Accession Number: 1980.409.1a–c

Image for Dress
Art

Dress

Date: ca. 1872
Accession Number: 2003.426a, b

Image for Dress
Art

Dress

Date: 1860–65
Accession Number: C.I.69.33.4a–d

Image for Dress
Art

Dress

Yves Saint Laurent (French, founded 1961)

Date: fall/winter 1965–66
Accession Number: C.I.69.23

Image for Dress and belt with awl case

Date: ca. 1870
Accession Number: 2019.456.1a, b

Image for The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

Berthe Morisot (French, Bourges 1841–1895 Paris)

Date: ca. 1870
Accession Number: 2003.20.8

Image for Evening dress

Date: 1804–5
Accession Number: 1983.6.1

Image for Evening dress

Charles James (American, born Great Britain, 1906–1978)

Date: 1946
Accession Number: 2009.300.795