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388 results for mesopotamian

Image for Mesopotamian Magic in the First Millennium B.C.
Essay

Mesopotamian Magic in the First Millennium B.C.

December 1, 2018

By Miriam Said

Far from being considered irrational, magic was the guiding principle by which Mesopotamians understood various natural phenomena and their positive and negative consequences.
Image for Mesopotamian Creation Myths
Essay

Mesopotamian Creation Myths

April 1, 2009

By Ira Spar

In Mesopotamia, the surviving evidence from the third millennium to the end of the first millennium B.C. indicates that although many of the gods were associated with natural forces, no single myth addressed issues of initial creation.
Image for The Middle Babylonian / Kassite Period (ca. 1595–1155 B.C.) in Mesopotamia
The ongoing construction of [Kassite] (elite) identity was a thoughtful response to the historical traditions of Mesopotamia on the one hand, and contemporary internationalizing trends on the other.
Image for Mesopotamian Deities
Essay

Mesopotamian Deities

April 1, 2009

By Ira Spar

Feared and admired rather than loved, the great gods were revered and praised as masters.
Image for Ur: The Ziggurat
Essay

Ur: The Ziggurat

October 1, 2002

By Department of Ancient Near Eastern Art

While the actual significance of these structures is unknown, Mesopotamian gods were often linked with the eastern mountains, and ziggurats may have represented their lofty homes.
Image for Flood Stories
Essay

Flood Stories

April 1, 2009

By Ira Spar

Mesopotamian versions of the flood story may have had their beginnings in the annual spring flooding of the Tigris and Euphrates rivers.
Image for Nineveh
Essay

Nineveh

September 1, 2017

By Michael Seymour

A major urban center in northern Mesopotamia from a very early date, the city is best known today for its role as the final capital of the Assyrian empire.
Image for A New Chapter for the Ibex
video

A New Chapter for the Ibex

September 30, 2025
In a collaborative research project between The Met and the Republic of Iraq, cutting-edge technology uncovers the story of an ancient Mesopotamian sculpture.
Image for Uruk: The First City
Essay

Uruk: The First City

October 1, 2003

By Department of Ancient Near Eastern Art

By around 3200 B.C., the largest settlement in southern Mesopotamia, if not the world, was Uruk: a true city dominated by monumental mud-brick buildings decorated with mosaics of painted clay cones embedded in the walls, and extraordinary works of art.
Image for What Ancient Artifacts Tell Us about Everyday Life in Mesopotamia
Digital Editor Pac Pobric introduces a new Heilbrunn Timeline of Art History essay examining everyday life in ancient Assyria.
Image for Tile with a head of a Mesopotamian captive from the palace of Ramesses II

Date: ca. 1279–1213 B.C.
Accession Number: 35.1.52

Image for Tile with a head of a Mesopotamian captive from the palace of Ramesses II

Date: ca. 1279–1213 B.C.
Accession Number: 35.1.53

Image for Helmet
Art

Helmet

Date: 5th century
Accession Number: 62.82

Image for Tile with a fragment from a head of a Mesopotamian captive from the palace of Ramesses II

Date: ca. 1279–1213 B.C.
Accession Number: 35.1.54–.55

Image for Eye idol

Date: ca. 3700–3500 BCE
Accession Number: 51.59.11

The remarkable flowering of the world's earliest civilizations in Mesopotamia some 5,000 years ago will be the focus of a landmark exhibition opening at The Metropolitan Museum of Art on May 8. Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus will survey the evolution of Mesopotamian art and culture and its impact on the cities of the ancient world – stretching from the Aegean and Eastern Mediterranean across Central Asia to the Indus Valley – during one of the most seminal and creative periods in history.

Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.

Beginning around four thousand years ago in the lands of western Asia and the eastern Mediterranean, one of the first international ages in human history emerged. Intense exchange fostered a burst of creativity in Mesopotamia, Egypt, Anatolia, the Levant, and the Aegean in the second millennium B.C.—the time of the Middle and Late Bronze Ages. The quest for raw materials such as metals, semiprecious stones, and other exotic luxury goods led to contacts with the Iranian plateau and Central Asia. Within this lively sphere of interaction, societies that otherwise differed strongly in culture and language were linked by the exchange of objects and ideas. In response, new international styles and imagery arose, reflected in the art, trade and diplomacy that connected the Mesopotamian heartland with the regions "Beyond Babylon."