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editorial

The 9/11 Peace Story Quilt

December 7, 2011
To document the anniversary of September 11 and the Museum's role both in remembering tragedy and fostering peace and understanding across cultures, oral historian Liza Zapol created a multimedia piece involving interviews with visitors, a Museum lecturer, Faith Ringgold, and two of the student artists who helped create The 9/11 Peace Story Quilt, a three-panel quilt on display.
Image for Harley Quinn: A Modern Harlequina
editorial

Harley Quinn: A Modern Harlequina

October 30, 2015

By Jane A. Dini

Associate Curator Jane A. Dini discusses Harley Quinn, a modern version of the classic character Harlequin from the Italian commedia dell'arte, as well as this year's most popular Halloween costume.
Image for The Yellow of the Mamo’s Wing: *Lei Mamo*, a #MetKids Poem
editorial

The Yellow of the Mamo’s Wing: Lei Mamo, a #MetKids Poem

May 25, 2021

By Laurel Nakanishi

Hawai'i-based poet Laurel Nakanishi explores the history of the native ‘ohi‘a lehua plant and extinct mamo bird in an original poem inspired by a traditional Hawaiian quilt.
Image for Art on Its Own Terms: Author Amelia Peck on Gee's Bend Quilts in *My Soul Has Grown Deep*
In this interview, author and curator Amelia Peck discusses the history of quilting in Gee's Bend, Alabama, and how these works of art have historically been misunderstood.
Image for The Facade Commission: Hew Locke, *Gilt*
Past Exhibition

The Facade Commission: Hew Locke, Gilt

September 15, 2022–May 30, 2023
Gilt is the third in a series of commissions for The Met’s historic facade. Borrowing the format of trophies—emblems of competition and victory—Hew Locke has created four sculptures that reflect on the exercise and representation of power. These wo…
Image for American Quilts and Coverlets in The Metropolitan Museum of Art
Since 1910, when the Museum's first American bed covering was acquired, curators in the American Wing have gradually amassed an admirable collection. Except for a few justly famous pieces, however, it is largely unknown. The textile collections of many museums remain under-explored for several reasons. Traditionally, art museums have not emphasized the utilitarian, primarily homemade, and often anonymous items in their collections such as quilts. Additionally, bed coverings are difficult to exhibit because of their large size. Most importantly, because the cotton and silk textiles that make up many of these works are exceedingly fragile, a museum must take its job as cultural caretaker particularly seriously; by rarely displaying our bed covers, we are prolonging their lives. Over the years an increasing number of collectors, quiltmakers, coverlet weavers, scholars, and textile enthusiasts have asked to see our quilts and coverlets. The Museum staff is not able to accommodate requests to see the entire collection of 119 bed coverings. Only by prearrangement can we show a small number of them to an occasional viewer or allow visitors to make use of the catalogued information kept for study purposes. This book provides greater access to the Museum's outstanding collection and enables all who are interested to discover the beauty and historical significance of our American quilts and coverlets.
Image for _Immaterial_: Blankets and Quilts
Threads of identity.
Image for 18th-Century Court Suit: Behind the Scenes at The Costume Institute Conservation Laboratory
Laura Mina, associate conservator in The Met's Costume Institute, offers a close look at an 18th-century court suit.
Image for Quilt
Art

Quilt

Rebecca Blackwater (Native American, Dakota (Eastern Sioux) or Lakota (Teton Sioux), Santee, Nebraska, or Rosebud, South Dakota, active 20th century)

Date: ca. 1915
Accession Number: SL.7.2015.1.1

Image for Honeycomb Quilt

Elizabeth Van Horne Clarkson (1771–1852)

Date: ca. 1830
Accession Number: 23.80.75

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Art

Quilt

Date: 17th century
Accession Number: SL.13.2013.20.2

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Art

Quilt

Date: 17th century
Accession Number: 45.171

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Art

Quilt

Date: 18th century
Accession Number: 09.50.1474

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Art

Quilt

Date: 18th century
Accession Number: 09.50.2476

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Art

Quilt

Date: second half 18th century
Accession Number: 46.167

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Art

Quilt

Date: 1790–95
Accession Number: 11.60.438

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Art

Quilt

Date: 18th century
Accession Number: 26.238.11

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Art

Quilt

Date: 18th century
Accession Number: 67.48