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Showing 90 results for francesco-albani
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Goddess Inciting a Warrior
Francesco Albani
1578–1660
Plate
Francesco Albani
second quarter 18th century
Diana Bathing
Francesco Albani
1578–1660
Amorini Celebrate the Rape of Proserpine
Francesco Rosaspina
1805–12
Amorini Celebrate the Rape of Proserpina
Francesco Rosaspina
1805–12
Plate 1: The Toilette of Venus; Venus reclining at center, gazing into a mirror held by Cupid, attendants fix her hair while a putto ties her sandal, above her chariot appears on a cloud; from the series 'The Loves of Venus and Adonis'
Etienne Baudet
1672
Ecce Homo with three angels
Gilles Rousselet
1634–86
Ecce Homo with three angels
Etienne Picart
1652–1721
The Baptism of Christ
Domenico Maria Bonavera
1670–1731
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis
Benoit Audran the Elder
before 1741
The Annunciation, with Gabriel and other angels at left and God the Father above
Giacomo-Maria Giovannini
1687–1717
The death of Dido, Queen of Carthage, she is shown seated plunging a sword through her breast, a relief portrait of her husband Sychaeus before her
Francesco Albani
ca. 1620–50
Plate 8: the Baptism of Christ
Giuseppe Maria Mitelli
1678
The Surprise
Thomas Rowlandson
1799
Engraver's Copy After The Toilet of Venus
Francesco Albani
17th century
The Rest on the Flight into Egypt, the Holy Family at right with two angels, putti overhead
Pier Francesco Mola
ca. 1647–66
Salamacis and Hermaphrodite, from Galarie du Palais Royal
A. Colinet
ca. 1786
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
The birth of the Virgin, an arched composition
Pietro Santi Bartoli
1650–1700
Ecce Homo, Christ with his wrists bound, holding a cane in his left hand, an oval composition
Etienne Picart
ca. 1670–1700
The birth of the Virgin, an arched composition
Pietro Santi Bartoli
1650–1700
Galatea riding a conch-shell carriage, a sea nymph at her right and a putto in the water at her left
Giuseppe Longhi
1813
The three Marys at the tomb, one holding an urn, an angel at right
Jacques Lalouette
ca. 1682
The Virgin and Child seated at center, with God the Father and angels on clouds above, three angels holding the cross at right
Jean Charles Langlois
ca. 1810–70
Venus, Cupid, and a Satyr
Stefano Mulinari
18th century
The element of water, Galatea sits in a shell chariot drawn by dolphins, a circular composition
Antoine Hérisset
ca. 1700–1740
Galatea riding on a conch-shell carriage with a propellor, a putto to her left and a sea nymph to her right
Giuseppe Longhi
1813
Christ appearing to the Magdalene who is on the ground before him at left, her arms outstretched
Rémi Henri Joseph Delvaux
ca. 1786–1806
Venus and Adonis with Venus reclining on a riverbed with Cupid and three putti
Philippe Simonneau
18th century
The annunication to the Virgin, Archangel enters at the left, Virgin at right, God the Father above
Jean Audran
ca. 1685–1740
Jesus and the Samaritan woman at the well
Etienne Baudet
ca. 1703
The Virgin seated outdoors with the Christ Child beside her, St Joseph stands at the left
Jean Audran
ca. 1685–1740
The annunication to the Virgin, the Archangel enters at the right, the Virgin at left, her arms open gazing toward God the Father in the clouds above surrounded by putti
Jean Audran
ca. 1685–1740
The infant Christ resting on the ground, his hand outstretched toward three putti carrying a cross
Jean Audran
ca. 1685–1740
Christ appearing to Mary Magdalene, two angels at the right
Carlo Gregori
1741–43
The element of Earth, the goddess Berecynthia rides in a lion-drawn chariot, accompanied by Flora, Ceres and Bacchus; a circular composition
Jacques II Chereau
ca. 1700–1740
The rape of Europa who looks back to her companions on shore, she is being transported by Zeus in the guise of bull, accompanied by cupids, after Albani.
Johann Jakob Frey the Elder
1732
The element of Fire cupids make arrows in the forge of Vulcan who is seen reclining on the left; Venus in her chariot rides across the sky; Semele lies on the left her heart pierced with love's arrow, and her lover Jupiter hovers in the centre, clutching thunderbolts; a circular composition
Nicolas de Larmessin III
ca. 1700–1740
Two Nereids on a Shore, plate 38 from "Schola Italica Picturae"
Domenico Cunego
1771
Plate 3: Mercury presents Apollo with a lyre below with Olympian gods sitting on a cloud above, from Collection de cent-vingt estampes gravées d'après les tableaux & dessins qui composoient le Cabinet de M. Poullain
Robert DeLaunay
ca. 1781