The Met Fifth Avenue and The Met Cloisters are closed December 25 for Christmas.

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 3,086 results for honore-daumier

Sort by:

The Third-Class Carriage, Honoré Daumier French, Oil on canvas — The Third-Class Carriage
Honoré Daumier
1864

Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations, Arsène Alexandre French — Honoré Daumier, l'homme et l'œuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations
Arsène Alexandre
Honoré Daumier
1888

The Laundress, Honoré Daumier French, Oil on oak — The Laundress
Honoré Daumier
186[3?]

The Drinkers, Honoré Daumier French, Oil on wood — The Drinkers
Honoré Daumier
by 1861

The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper — The Connoisseur
Honoré Daumier
ca. 1860–65

Palette, Honoré Daumier French, Oil on wood, French — Palette
Honoré Daumier
probably 19th century

Don Quixote and the Dead Mule, Honoré Daumier French, Oil on wood — Don Quixote and the Dead Mule
Honoré Daumier
after 1864

Woman Pleading For Justice, Honoré Daumier French, Lithograph — Woman Pleading For Justice
Honoré Daumier
1828–79

Death and the Doctor, Honoré Daumier French, Black chalk or charcoal with traces of brown ink on tan laid paper — Death and the Doctor
Honoré Daumier
probably 1860–79

Two Drinkers, Honoré Daumier French, Pen and ink with wash over charcoal on paper — Two Drinkers
Honoré Daumier
1860–79

Two Drinkers, Honoré Daumier French, Black chalk on tan wove paper — Two Drinkers
Honoré Daumier
mid-19th century

Head of a Man, Honoré Daumier French, Charcoal and gray wash with graphite framing on light tan wove paper — Head of a Man
Honoré Daumier
mid-19th century

[Honore Daumier]

Etienne Carjat

Honoré Daumier

1860s

[Honore Daumier]

Portraits Mechanostares Brevetés

Honoré Daumier

1860s

Les Etrangers dévisagés par eux mêmes, from "Les Étrangers à Paris", Honoré Daumier French, Lithograph on wove paper with inscriptions in pen and brown ink; caption in pen and brown ink on a separate piece of paper glued below print — Les Etrangers dévisagés par eux mêmes, from "Les Étrangers à Paris"
Honoré Daumier
1844

Un soi disant Négociant... (A so-called Merchant...), from Émotions Parisiennes, published in "Le Charivari", Honoré Daumier French, Lithograph; third state of three (Delteil); sur blanc — Un soi disant Négociant... (A so-called Merchant...), from Émotions Parisiennes, published in "Le Charivari"
Honoré Daumier
Aubert et Cie
1840

Advice to Subscribers, published in Le Charivari, April 1, 1840, Honoré Daumier French, Lithograph; first state of two (Delteil) — Advice to Subscribers, published in Le Charivari, April 1, 1840
Honoré Daumier
April 1, 1840

Poor France! The trunk is blasted, but the roots hold!, published in "L'Album du Siège", Honoré Daumier French, Lithograph on wove paper; third state of three (Delteil) — Poor France! The trunk is blasted, but the roots hold!, published in "L'Album du Siège"
Honoré Daumier
1871

Comme ça se redresse vite. . ., Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil) — Comme ça se redresse vite. . .
Multiple artists/makers
June 25, 1869

Celebrrrre Jury de Peinture..., published in Le Charivari, March 16, 1840, Honoré Daumier French, Lithograph; third state of four (Delteil) — Celebrrrre Jury de Peinture..., published in Le Charivari, March 16, 1840
Honoré Daumier
Aubert et Cie
March 16, 1840

Two Atlantes in Conversation, Honoré Daumier French, Graphite on laid paper — Two Atlantes in Conversation
Honoré Daumier
ca. 1855

Statues of the Future, from 'News of the day,' published in Le Charivari, April 29, 1868, Honoré Daumier French, Lithograph on newsprint, laid down on wove paper; second state of two (Delteil) — Statues of the Future, from 'News of the day,' published in Le Charivari, April 29, 1868
Honoré Daumier
April 29, 1868

What the bourgeois calls a slight distraction, from 'The good bourgeois,' published in "Le Charivari", Honoré Daumier French, Lithograph on wove paper; second state of two (Delteil) — What the bourgeois calls a slight distraction, from 'The good bourgeois,' published in "Le Charivari"
Honoré Daumier
Aubert et Cie
August 30, 1846

Newspapers at the Grocers (Les journaux chez l'épicier) from La Caricature, October 23, 1842, Honoré Daumier French, Lithograph with new caption added in pen and brown ink on attached piece of paper; inscribed on verso in pen and brown ink; first state of three — Newspapers at the Grocers (Les journaux chez l'épicier) from La Caricature, October 23, 1842
Multiple artists/makers
1842

Le Charivari, December 1, 1832 - May 31, 1835, Honoré Daumier French, Lithograph and wood engraving — Le Charivari, December 1, 1832 - May 31, 1835
Multiple artists/makers
December 1, 1832–May 31, 1835

Le Charivari, March 16, 1854–December 31, 1857, Honoré Daumier French, Lithographs and wood engravings — Le Charivari, March 16, 1854–December 31, 1857
Multiple artists/makers
March 16, 1854–December 31, 1857

A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852, Honoré Daumier French, Lithograph; second state of two (Delteil) — A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852
Multiple artists/makers
May 17, 1852

--No matter what one says, old things are always beautiful. --Yes, my dear, but only in marble., from 'As you like it,' published in Le Charivari, January 21, 1850, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — --No matter what one says, old things are always beautiful. --Yes, my dear, but only in marble., from 'As you like it,' published in Le Charivari, January 21, 1850
Honoré Daumier
Aubert et Cie
January 21, 1850

À Cherbourg, from "Actualités", Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — À Cherbourg, from "Actualités"
Honoré Daumier
August 11, 1858

Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842, Honoré Daumier French, Lithograph; third state of three (Delteil) — Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842
Multiple artists/makers
December 28, 1842

Cristi,... v'là-t-y un boeuf qui est bien fait!..., from Exposition de 1859, published in Le Charivari, May 4, 1859, Honoré Daumier French, Lithograph on newsprint; second state of two — Cristi,... v'là-t-y un boeuf qui est bien fait!..., from Exposition de 1859, published in Le Charivari, May 4, 1859
Honoré Daumier
May 4, 1859

–Oh, my son, what a wonderful scene! You see here the exhibition hall of the temple of peace! –Yes, papa, and the military academy too!, from "World Exhibitions", Honoré Daumier French, Lithograph on newsprint — –Oh, my son, what a wonderful scene! You see here the exhibition hall of the temple of peace! –Yes, papa, and the military academy too!, from "World Exhibitions"
Honoré Daumier
ca. 1867

The assemby in Versailles: In January –Wretched winter!... In June –Scoundrel of a summer!..., Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The assemby in Versailles: In January –Wretched winter!... In June –Scoundrel of a summer!...
Honoré Daumier
June 22, 1872

The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The mother of the actress, from 'Dramatic sketches,' published in Le Charivari, July 2, 1864
Multiple artists/makers
July 2, 1864

The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil) — The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864
Multiple artists/makers
January 7, 1864

Dismayed with her legacy, published in "L'Album du Siège", Honoré Daumier French, Lithograph on wove paper; third state of three (Delteil) — Dismayed with her legacy, published in "L'Album du Siège"
Honoré Daumier
1871

Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens", Honoré Daumier French, Lithograph; third state of three (Daumier) — Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens"
Multiple artists/makers
February 18, 1857

O Lune!... Inspire-moi ce soir quelque petite pensée..., from Les Bas-Bleus, published in "Le Charivari", Honoré Daumier French, Lithograph; third state of three (Delteil) — O Lune!... Inspire-moi ce soir quelque petite pensée..., from Les Bas-Bleus, published in "Le Charivari"
Honoré Daumier
Aubert et Cie
February 28, 1844

We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864, Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil) — We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864
Multiple artists/makers
November 28, 1864

A Summer Sketch: Parisians in the Countryside, Honoré Daumier French, Lithograph on wove paper (newsprint) — A Summer Sketch: Parisians in the Countryside
Honoré Daumier
1857