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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 906 results for salvator-rosa

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Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas — Bandits on a Rocky Coast
Salvator Rosa
1655–60

The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny — Plate
Salvator Rosa
ca. 1733–37

Self-Portrait, Salvator Rosa Italian, Oil on canvas — Self-Portrait
Salvator Rosa
ca. 1647

The Prodigal Son, Salvator Rosa Italian, Etching; early state — The Prodigal Son
Multiple artists/makers
1781

A man wearing a plumed hat pointing at an inscribed block while looking over his right shoulder at a screaming man, frontispiece for "Figurine", Salvator Rosa Italian, Etching with drypoint — A man wearing a plumed hat pointing at an inscribed block while looking over his right shoulder at a screaming man, frontispiece for "Figurine"
Salvator Rosa
ca. 1656–57

A warrior facing right wearing a plumed helmet and holding a staff, from "Figurine", Salvator Rosa Italian, Etching with drypoint — A warrior facing right wearing a plumed helmet and holding a staff, from "Figurine"
Salvator Rosa
ca. 1656–57

A figure supporting a tablet with a representation of a herm of Diana of Ephesus, from "Figurine", Salvator Rosa Italian, Etching — A figure supporting a tablet with a representation of a herm of Diana of Ephesus, from "Figurine"
Salvator Rosa
ca. 1656–57

A warrior shown from behind holding a staff and leaning on a rock, from "Figurine", Salvator Rosa Italian, Etching — A warrior shown from behind holding a staff and leaning on a rock, from "Figurine"
Salvator Rosa
ca. 1656–57

An old, ragged man with a gourd on his hip walking with a staff, from "Figurine", Salvator Rosa Italian, Etching with drypoint — An old, ragged man with a gourd on his hip walking with a staff, from "Figurine"
Salvator Rosa
ca. 1656–57

A man wearing a long outer garment and cap pointing to the left, from "Figurine", Salvator Rosa Italian, Etching — A man wearing a long outer garment and cap pointing to the left, from "Figurine"
Salvator Rosa
ca. 1656–57

A semi-nude woman seated, resting her head on a rock, from "Figurine", Salvator Rosa Italian, Etching and drypoint — A semi-nude woman seated, resting her head on a rock, from "Figurine"
Salvator Rosa
ca. 1656–57

A partially dressed man holding a bow in his left hand and pointing with his right, from "Figurine", Salvator Rosa Italian, Etching with drypoint — A partially dressed man holding a bow in his left hand and pointing with his right, from "Figurine"
Salvator Rosa
ca. 1656–57

Piping satyr and two fauns, from "The Triton Group", Salvator Rosa Italian, Etching with drypoint — Piping satyr and two fauns, from "The Triton Group"
Salvator Rosa
ca. 1660–61

Jason and the Dragon, Salvator Rosa Italian, Etching and drypoint — Jason and the Dragon
Salvator Rosa
1663–64

Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward, Salvator Rosa Italian, Etching with drypoint — Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward
Salvator Rosa
ca. 1663–64

Studies for Standing and Seated Figures, Salvator Rosa Italian, Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite — Studies for Standing and Seated Figures
Salvator Rosa
1634–45

Frontispiece for "Figurine", Salvator Rosa Italian, Etching — Frontispiece for "Figurine"
Salvator Rosa
ca. 1656–57

A man pulling a net with two figures behind him, from "Figurine", Salvator Rosa Italian, Etching and Drypoint — A man pulling a net with two figures behind him, from "Figurine"
Salvator Rosa
ca. 1656–57

A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper — A Large Tree
Salvator Rosa
1615–73

Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Witches' Sabbath
Salvator Rosa
1640–1649

Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk — Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite — Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73

Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash — Studies of Kneeling Figures
Salvator Rosa
1615–73

Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto — Two Standing Men Gesticulating
Salvator Rosa
1615–73

The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal — The Fall of the Giants
Salvator Rosa
ca. 1663

The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper — The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73

Milo of Crotona, Salvator Rosa Italian, Pen and brown ink — Milo of Crotona
Salvator Rosa
1615–73

Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk — Three Figures around a globe
Salvator Rosa
1615–73

Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso) — Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73

Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk — Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73

Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk — Figure studies: seated and standing men
Salvator Rosa
1615–73

Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink — Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73

Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk — Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73

Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper — Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73

Two Men Seen Three- Quarter Length, Salvator Rosa Italian, Pen and brown ink, brown wash — Two Men Seen Three- Quarter Length
Salvator Rosa
1615–73

Marine landscape with figures, Salvator Rosa Italian, Pen and brown ink, brown and gray wash — Marine landscape with figures
Salvator Rosa
1615–73

Martyrdom of St. Andrew, Salvator Rosa Italian, Pen and brown ink, brown wash, over traces of black chalk — Martyrdom of St. Andrew
Salvator Rosa
1615–73

Five Figures in Fantastic Costumes with Two Dogs, Salvator Rosa Italian, Black ink on dark tan paper — Five Figures in Fantastic Costumes with Two Dogs
Salvator Rosa
1615–73

Studies of a Man's Head in Profile, and of a Standing Male Figure

Salvator Rosa