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Turnus Provoked into War by Aeneas, José Manuel de la Cerda Mexican, Wood, painted lacquer, gold, Mexican
Turnus Provoked into War by Aeneas
José Manuel de la Cerda
ca. 1764
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Venus Giving Arms to Aeneas, Jean Cornu French, Terracotta and painted wood, French, Paris
Venus Giving Arms to Aeneas
Jean Cornu
1704
Plate (piatto): The story of Aeneas, Francesco Xanto Avelli da Rovigo Italian, Maiolica (tin-glazed earthenware)
Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
1532
Dish (coppa): The story of Aeneas: Queen Dido of Carthage welcomes Aeneas and his son., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
Dish (coppa): The story of Aeneas: Queen Dido of Carthage welcomes Aeneas and his son.
possibly workshop of Giovanni Maria Vasaro
ca. 1520
Aeneas and the Sibyl in the Underworld, Jan Brueghel the Younger Flemish, Oil on copper
Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
1630s
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Diomedes prevented by Apollo from pursuing Aeneas (?), Josiah Wedgwood British, Jasperware, British, Etruria, Staffordshire
Diomedes prevented by Apollo from pursuing Aeneas (?)
Manufacturer Josiah Wedgwood
ca. 1787
Aeneas and Siblyl, Corrado Giaquinto Italian, Pen and brown ink, with brush and gray wash, over traces of black chalk
Aeneas and Siblyl
After Corrado Giaquinto
1703–66
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Aeneas and Anchises, Leonaert Bramer Dutch, Brush and gray wash, heightened with white bodycolor; framing lines in brush and gray wash with white bodycolor
Aeneas and Anchises
Leonaert Bramer
1611–74
Aeneas fleeing Troy, Anton Joseph von Prenner Austrian, Etching
Aeneas fleeing Troy
Anton Joseph von Prenner
Possibly after Peter Paul Rubens
1728
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
The ghost of Creusa disappearing from Aeneas near the burning wall of Troy, Carnelian, probably Italian
The ghost of Creusa disappearing from Aeneas near the burning wall of Troy
probably Italian
early 19th century
Venus Giving Arms to Aeneas, Pietro Testa Italian, Etching
Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40
Venus preventing Aeneas from killing Helen, Johann Tobias Sergel Swedish, Pen and brown ink, brown wash, over graphite
Venus preventing Aeneas from killing Helen
Attributed to Johann Tobias Sergel
Former Attribution Anonymous, French, 18th century
late 18th century
Plate 141: The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 141: The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Venus and Aeneas, Pierre François Courtois French, Etching and engraving
Venus and Aeneas
Pierre François Courtois
After François Boucher
mid-18th century
Aeneas and his family fleeing Troy, Agostino Carracci Italian, Engraving
Aeneas and his family fleeing Troy
Agostino Carracci
After Federico Barocci
Publisher Donato Rasicotti
1595
Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward, Salvator Rosa Italian, Etching with drypoint
Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward
Salvator Rosa
ca. 1663–64
The Departure of Aeneas Announced to Dido?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk
The Departure of Aeneas Announced to Dido?
Francesco Allegrini
1624–63
Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover), Baldassare Manara Italian, Maiolica (tin-glazed earthenware)
Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
ca. 1530–40
Mercury Appears to Aeneas in a Dream, Giovanni Domenico Tiepolo Italian, Etching
Mercury Appears to Aeneas in a Dream
Giovanni Domenico Tiepolo
After Giovanni Battista Tiepolo
1757
Aeneas Rescues his Father from Burning Troy, Rudolf Meyer Swiss, Pen and black ink, gray wash
Aeneas Rescues his Father from Burning Troy
Rudolf Meyer
1627
Aeneas and the Sibyl in the Underworld, Arnold Houbraken Dutch, Pen and brown ink, brush and gray wash, indented for transfer
Aeneas and the Sibyl in the Underworld
Arnold Houbraken
n.d.
Vulcan Presenting Arms for Aeneas to Venus from the set The Loves of the Gods, François Boucher French, Silk, wool, French, Beauvais
Vulcan Presenting Arms for Aeneas to Venus from the set The Loves of the Gods
Designer François Boucher
Manufactory Beauvais
designed 1749; woven possibly 1771
Vulcan Presenting Arms for Aeneas to Venus from a set of The Loves of the Gods, François Boucher French, Wool, silk (23-25 warps per inch, 9-10 per cm.), French, Beauvais
Vulcan Presenting Arms for Aeneas to Venus from a set of The Loves of the Gods
Multiple artists/makers
Designed 1749; Woven 1754
Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Aeneas Carrying Anchises in the Burning of Troy
attributed to Francesco Allegrini
1624–63
Venus and Aeneas
Samuel Bottschild
Aeneas Carrying Anchises
Adamo (Ghisi) Scultori
After Giulio Romano
Dido and Aeneas
Engraver William Faithorne the Elder
1654–55
Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount
Aeneas and Achates Entering Dido's Palace in a Cloud
attributed to Francesco Allegrini
1624–63
The Fall of Troy and Escape of Aeneas, Giorgio Ghisi Italian, Engraving; first state of five (BLL)
The Fall of Troy and Escape of Aeneas
Giorgio Ghisi
After Giovanni Battista Scultori
mid-1540's
Aeneas and the Cumaean Sibyl Entering the Infernal Regions, Giovanni Francesco Romanelli Italian, Pen and brown ink, brush and blue wash, highlighted with white, over black chalk, on blue-gray paper
Aeneas and the Cumaean Sibyl Entering the Infernal Regions
Giovanni Francesco Romanelli
1610–62
Venus Appealing to Aeneas
Marcantonio Raimondi
ca. 1500–1534
Aeneas carrying his father
Richard Earlom
After Jacopo Tintoretto (Jacopo Robusti)
Publisher John Boydell
1767
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

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