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Body Ornament, Bone, Japan
Japan
Body Ornament, Bone, Japan
Japan
Body Ornament, Bone, Japan
Japan
Body Ornament, Bone, Japan
Japan
Body ornament, Steatite, Japan
Japan
ca. 2000 BCE
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Body ornament, Bone, Japan
Japan
Tile from a Frieze, Composite body; overglaze luster-painted
1308
An Elevation of the North Side of the Marble Screen Surrounding the Cenotaphs in the Taj Mahal, Watercolor and body color on paper
ca. 1810–1820
Grandguard (Reinforcing Shoulder Defense), The Metropolitan Museum of Art, Armor Workshop  American, Steel, American, New York
Armorer The Metropolitan Museum of Art, Armor Workshop
Armorer Leonard Hugel
Etcher Leonard Heinrich
1925
Tile from a Frieze, Composite body; molded and overglaze luster-painted
ca. 1270–80
Tile from a Frieze, Composite body; molded and overglaze luster-painted
second half 13th century
T-29 Prototype Right Thigh and Knee Defense ( Poleyn), Leonard Heinrich  German, Steel, textile, metal alloy, American, New York
Armorer Leonard Heinrich
Designer Stephen V. Grancsay
Armorer The Metropolitan Museum of Art, Armor Workshop
1944
Covered Basket with Design of Bush Clover and Deer, Hon'ami Kōetsu  Japanese, Rattan body, gold, silver hiramaki-e, Japan
Style of Hon'ami Kōetsu
late 17th century
T-29 Prototype Right Greave (Shin and Calf Armor), Leonard Heinrich  German, Steel, textile, American, New York
Armorer Leonard Heinrich
Designer Stephen V. Grancsay
Armorer The Metropolitan Museum of Art, Armor Workshop
1944
Engraver Edward Richard Whitfield
After William Hilton
Printer George Virtue
December 1854
1322 CE
early 14th century
Burgonet, Leonard Heinrich ,  in The Metropolitan Museum of Art, Armor Workshop German, Steel, leather, German, Augsburg
Armorer Replacement cheek-pieces made by Leonard Heinrich
Armorer Replacement cheek-pieced made in The Metropolitan Museum of Art, Armor Workshop
ca. 1540–50; cheekpieces replaced, 1932
Surcoat (Jinbaori), Body: China, for the European market, late 16th–17th century; silk velvet, cut and voided<br/>Lining: China, late 16th–17th century; silk damask<br/>Lapels: Japan, probably 18th century; lampas, silk and gilt-paper strips, Japan
Japan
17th century
Ensemble, DSquared²  Italian, (a) nylon, elastane, (b, c) nylon, cotton, (d) cotton, elastane, (e–j) leather, plastic, metal, Italian
Design House DSquared²
spring/summer 2016 menswear
Bwanga bwa bwimpe (female power figure), Luluwa artist and mpaka manga (ritual specialist), Wood, ivory (?), applied organic matter, Luluwa peoples
Luluwa artist and mpaka manga (ritual specialist)
19th–early 20th century
Bwanga (power object), Luluwa artist and mpaka manga (ritual specialist) (?), Wood, horn, seeds, cowrie shells, shotgun shells, teeth, metal, fiber, pigment, tar(?), Luluwa peoples
Luluwa artist and mpaka manga (ritual specialist)
19th–first half of 20th century
Bisj (ancestor pole), Bifarq, Wood, paint, fiber, sago palm leaves, Asmat people
Bifarq
ca. 1960
Tabula Rosa, Jane Hammond  American, Pigmented inkjet print on handmade Japanese paper
Jane Hammond
Publisher Universal Limited Art Editions
2001
Standing Female Figure, Nayarit artist(s), Ceramic, slip, Nayarit
Nayarit artist(s)
100–400 CE
Untitled (True Love), Joe Brainard  American, Graphite and porous-point pens on paper
Joe Brainard
1971
Male figure holding vessel, Luluwa artist, Wood, pigment, camwood powder, Luluwa peoples
Luluwa artist
19th–early 20th century

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