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Loggia dei Lanzi, Florence, John Singer Sargent American, Graphite on off-white wove paper, American
Loggia dei Lanzi, Florence
John Singer Sargent
1902–8
Loggia, Welbeck Abbey, John Singer Sargent American, Graphite on off-white wove paper, American
Loggia, Welbeck Abbey
John Singer Sargent
ca. 1900–1902
Loggia, Villa Giulia, Rome, John Singer Sargent American, Watercolor and graphite on white wove paper, American
Loggia, Villa Giulia, Rome
John Singer Sargent
ca. 1907
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Loggia, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash over red chalk; fragmentary framing lines in black chalk
Loggia
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Loggia dei Lanzi, Florence
Ferdinando Artaria et Fils
Johann Jakob Falkeisen
1842
The entrance front, with pergola and entrance loggia., David Aronow American, Gelatin silver print
The entrance front, with pergola and entrance loggia.
David Aronow
1930s
The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges
The Sacrifice of Noah
Enameler Master K.I.P.
Based on engraving by Marco Dente
After a fresco in the Vatican logia by the Workshop of Raphael (Raffaello Sanzio or Santi)
mid-16th century
The entrance front, with conservatory, pergola, and entrance loggia., David Aronow American, Gelatin silver print
The entrance front, with conservatory, pergola, and entrance loggia.
David Aronow
1930s
The entrance loggia, from pergola.
David Aronow
1930s
Architectural Elements from Laurelton Hall, Oyster Bay, New York, Louis C. Tiffany American, Limestone, ceramic, and Fravrile glass, American
Architectural Elements from Laurelton Hall, Oyster Bay, New York
Designer Designed by Louis C. Tiffany
ca. 1905
The entrance front, with entrance loggia.
David Aronow
1930s
Nude Man with Helmet, Bronze, possibly German
Nude Man with Helmet
possibly German
16th century
Loggia dei Lanzi, Florence, Italy, Philip H. Giddens American, Drypoint
Loggia dei Lanzi, Florence, Italy
Philip H. Giddens
ca. 1928
Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of peony blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of peony blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
[Loggia di Fra' Giacondo, Piazza dei Signori, Verona]
Maurizio Lotze
ca. 1858
Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall, Lenox, Incorporated American, Watercolor, graphite, and ink on paper, American
Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall
Lenox, Incorporated
ca. 1900–1915
Ornamental Design for a Loggia or Frieze (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction
Ornamental Design for a Loggia or Frieze (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
[Façade, Views, and Entrance Loggia of the Renaissance Court], Philip Henry Delamotte British, Albumen silver print from glass negative
[Façade, Views, and Entrance Loggia of the Renaissance Court]
Attributed to Philip Henry Delamotte
ca. 1859
Loggia with Caryatids before a Fountain and Landscape, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown wash, over black chalk, with ruled stylus incisions; framing outline with marks at regular intervals in brown ink
Loggia with Caryatids before a Fountain and Landscape
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Design for a Trompe L'Oeil Ceiling with a Loggia, Faustino Trebbi Italian, Pen and ink and wash
Design for a Trompe L'Oeil Ceiling with a Loggia
Faustino Trebbi
After Girolamo Curti detto "Dentone"
n.d.
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso); framing lines in pen and brown ink
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso)
Francesco Guardi
18th century
The entrance loggia, taken from second floor balcony, view towards Oyster Bay.
David Aronow
1930s
Section of the Loggia in the Villa of Pope Julius [III.], Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Section of the Loggia in the Villa of Pope Julius [III.]
Pietro Paolo Coccetti (Cocchetti)
1710–27
Figures from Raphael's Loggia (recto); Study of a Bearded Man (verso), Eugène Delacroix French, Pen and iron gall ink (recto); graphite (verso)
Figures from Raphael's Loggia (recto); Study of a Bearded Man (verso)
Eugène Delacroix
After Raphael (Raffaello Sanzio or Santi)
ca. 1833–35
View of Loggia, from "Loggie di Rafaele nel Vaticano"
Giovanni Volpato
After Raphael (Raffaello Sanzio or Santi)
Intermediary draughtsman Pietro Camporesi
ca. 1777
Two panels from the 'Verdures du Vatican' series, Jean Démosthène Dugourc French, Woven silk and metal thread with applied silk and chenille embroidery, French, Lyon
Two panels from the 'Verdures du Vatican' series
Designer Designed by Jean Démosthène Dugourc
Manufactory Woven by Maison Pernon et Cie.– Camille Pernon (French, 1753 – 1808)
ca. 1799
Design for the Entrance of the Loggia of the Villa of Pope Julius, Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Design for the Entrance of the Loggia of the Villa of Pope Julius
Pietro Paolo Coccetti (Cocchetti)
1710–27
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.], Pietro Paolo Coccetti (Cocchetti) Italian, Pen and brown ink, brush and gray wash, over ruling in graphite
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]
Pietro Paolo Coccetti (Cocchetti)
1710–27
Moses Striking the Rock, from The Loggia Paintings
Orazio Borgianni
After Raphael (Raffaello Sanzio or Santi)
ca. 1616
Frontispiece of "Aerarium Philosophiae Mathematicae" by Mario Bettini, Francesco Curti Italian, Engraving
Frontispiece of "Aerarium Philosophiae Mathematicae" by Mario Bettini
Francesco Curti
Author Mario Bettini
1648
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9), Giovanni Francesco Venturini Italian, Etching
Fontana di Mercurio nel Giardino del Gran Duca di Toscana (...), from "La Fontane di Roma nelle Piazze e Luoghi Publici (...)", part 3, 'Le Fontane ne' Palazzi di Roma' (plate 9)
Giovanni Francesco Venturini
Publisher Giovanni Giacomo De Rossi
1691 or after
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
View of a courtyard with a loggia, fountains, statues, and other ornaments (Prospetto d'un regio Cortile nel cui mezzo vi stà una Loggia...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns, Jules-Edmond-Charles Lachaise French, pen and ink, wash and watercolor, heightened with white on wove paper
Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns
Jules-Edmond-Charles Lachaise
Eugène-Pierre Gourdet
1830–97
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Fantasy based on Vatican: Sistine Chapel, Loggia (identification by James S. Ackerman) (recto); A Lion (verso), Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, over black chalk
Fantasy based on Vatican: Sistine Chapel, Loggia (identification by James S. Ackerman) (recto); A Lion (verso)
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, Giovanni Jacopo Caraglio Italian, Engraving; first state of two
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome
Giovanni Jacopo Caraglio
After Giovanni Francesco Penni
After Raphael (Raffaello Sanzio or Santi)
1527
Lunette: Abraham and Three Angels, from "Loggie di Rafaele nel Vaticano"
Multiple artists/makers
ca. 1777
Lunette: Construction of the Ark, from "Loggie di Rafaele nel Vaticano"
Multiple artists/makers
ca. 1777