Suspension Hook (Samban, Tshambwan)
representing waken, the most powerful Iatmul supernatural beings, served as sacred images through which the supernatural beings they depicted could be consulted. Before embarking on a raid or hunting expedition, men gathered within the ceremonial house to consult the waken through the hook bearing its image. Offerings of chickens, betel nut, or other items were hung from the hook and then
consumed by a human “attendant,” who went into a trance during which the waken spoke through him, providing advice. Primarily functional, household suspension hooks were also used to contact spirits about more minor matters.
In the past, some suspension hooks, especially those
representing waken, the most powerful Iatmul supernatural
beings, served as sacred images through which the
supernatural beings they depicted could be consulted.
Before embarking on a raid or hunting expedition, men
gathered within the ceremonial house to consult the waken
through the hook bearing its image. Offerings of chickens,
betel nut, or other items were hung from the hook and then
consumed by a human “attendant,” who went into a trance
during which the waken spoke through him, providing advice.
Primarily functional, household suspension hooks were also
used to contact spirits about more minor matters.
Artwork Details
- Title: Suspension Hook (Samban, Tshambwan)
- Date: late 19th–early 20th century
- Geography: Papua New Guinea, Kararau village, Middle Sepik River region
- Culture: Iatmul people
- Medium: Wood, paint
- Dimensions: H. 54 1/2 x W. 5 3/4 x D. 3 1/8 in. (138.4 x 14.6 x 7.9 cm)
- Classification: Wood-Sculpture
- Credit Line: The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
- Object Number: 1979.206.1633
- Curatorial Department: The Michael C. Rockefeller Wing
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