The Death of Socrates
This sheet is an early exploration of the subject that Jacques Louis David would later treat in his 1787 painting, The Death of Socrates 31.45, which entered the Met’s collection in 1931. It is essentially a tracing or re-drawing of a looser sketch in a private collection (Rosenberg-Prat, 2002, I, no.52, pp.71-72) which bears a date of 1782. The composition of these two early treatments features the ancient Greek philosopher Socrates in his prison cell, surrounded by disciples. Sentenced to death by the Athenian courts for his unorthodox beliefs, he prepares to drink from a cup of hemlock. His gesture heavenward indicates that he has paused to expound upon his theory of the immortality of the human soul.
David would return to the theme in 1786 when Charles-Louis Trudaine de Montigny, a wealthy conseiller in the Paris parliament, commissioned from him a painting on the subject. At that point, he made a quickly executed composition sketch, also in the museum’s collection (2015.149), incorporating various new ideas. In the later drawing, he has added recession with an arched passageway leading to a set of stairs on the left and supplemented the number of disciples on the right.
These works are characteristic of David’s elaborate method of preparing his major canvases. He typically progressed from sketches to numerous more finished compositional studies, introducing small changes and refinements with each iteration. Only when the composition was fairly resolved would he begin making studies for individual figures. The museum’s collection also includes a drapery study for Crito (61.161.1), the disciple seated on the block to the right.
(Perrin Stein, July 2017)
David would return to the theme in 1786 when Charles-Louis Trudaine de Montigny, a wealthy conseiller in the Paris parliament, commissioned from him a painting on the subject. At that point, he made a quickly executed composition sketch, also in the museum’s collection (2015.149), incorporating various new ideas. In the later drawing, he has added recession with an arched passageway leading to a set of stairs on the left and supplemented the number of disciples on the right.
These works are characteristic of David’s elaborate method of preparing his major canvases. He typically progressed from sketches to numerous more finished compositional studies, introducing small changes and refinements with each iteration. Only when the composition was fairly resolved would he begin making studies for individual figures. The museum’s collection also includes a drapery study for Crito (61.161.1), the disciple seated on the block to the right.
(Perrin Stein, July 2017)
Artwork Details
- Title: The Death of Socrates
- Artist: Jacques Louis David (French, Paris 1748–1825 Brussels) (and studio?)
- Date: ca. 1782
- Medium: Pen and black ink, with brush and gray wash, over black chalk; lightly squared in black chalk
- Dimensions: Sheet: 9 5/8 × 14 7/8 in. (24.4 × 37.8 cm)
- Classification: Drawings
- Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2013
- Object Number: 2013.59
- Curatorial Department: Drawings and Prints
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