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Side Chair "Synthesis 45" Office Furniture System

Designer Ettore Sottsass Italian, born Austria
1972
Not on view
Sottsass began designing individual office equipment for Olivetti in 1959, though he eventually became interested in creating ideal, holistic work spaces. This pursuit led to the development of Synthesis 45, an integrated office furniture suite with more than one hundred components, including desks, cabinets, chairs, and divider screens. Basic units feature neutral hues with pops of color, like the vibrant yellow frame of this adjustable typist’s chair, red and blue side panels for office cubicles, and brightly colored desk accessories.

Artwork Details

Object Information
  • Title: Side Chair "Synthesis 45" Office Furniture System
  • Designer: Ettore Sottsass (Italian (born Austria), Innsbruck 1917–2007 Milan)
  • Manufacturer: Ing. C. Olivetti & C. S.p.A., Ivrea, Italy
  • Date: 1972
  • Medium: Aluminum, steel, plastic, synthetic foam, synthetic fabric
  • Dimensions: 30 11/16 × 22 1/4 × 23 7/16 in. (78 × 56.5 × 59.5 cm)
    Seat H. adjustable
  • Classification: Furniture
  • Credit Line: Anonymous Gift, 1987
  • Object Number: 1987.386
  • Rights and Reproduction: © 2026 Artists Rights Society (ARS), New York
  • Curatorial Department: Modern and Contemporary Art
More Artwork
"Carlton" Room Divider, Ettore Sottsass  Italian, born Austria, Wood, plastic laminate
Designer Ettore Sottsass
Manufacturer Memphis Milano
1981
Armor, Steel, copper alloy, textile, leather, Italian
Italian
ca. 1400–1450 and later
"Tube" Chair, Joe Colombo  Italian, Synthetic knit upholstery, polyurethane foam (PUR), poly(vinyl chloride) (PVC),  natural rubber, and tubular steel
Designer Joe Colombo
Manufacturer Flexform
1969–70
Esercizio Formale 1979, Ettore Sottsass  Italian, born Austria, Printed book
Ettore Sottsass
Publisher Alessi S. P. A.
1985
Composed Armor, Julian Arrechia  Spanish, Steel, copper alloy (latten), leather, Italian
Armorer Left tasset made by Julian Arrechia
Armorer Left pauldron made by Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s

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