English
DonateMembershipTickets

Third Bookplate of the Earl of Aylesford

1777 of after
Not on view
Heneage Finch, 4th earl of Aylesford was an accomplished etcher who admired Piranesi and Rembrandt. After succeeding to the title in 1777, the earl designed and etched bookplates for his own use, with this being an example of the third design out of four that he produced over time. Packington Hall, mentioned in the text below, was the family seat, and the new owner's dedication to learning and classical tradition is suggested by the books, ink-wells, quill pens, and substantial fluted column.

Artwork Details

Object Information
  • Title: Third Bookplate of the Earl of Aylesford
  • Artist: Heneage Finch, 4th Earl of Aylesford (British, Syon House 1751–1812 Great Packington, Warwickshire)
  • Date: 1777 of after
  • Medium: Etching
  • Dimensions: Sheet: 3 1/2 × 3 15/16 in. (8.9 × 10 cm)
  • Classification: Prints
  • Credit Line: Gift of Dr. Marilyn Jenkins-Madina, in loving memory of her husband, Professor Maan Z. Madina, 2016
  • Object Number: 2016.383.1
  • Curatorial Department: Drawings and Prints
More Artwork
Landscape, Heneage Finch, 4th Earl of Aylesford  British, Pen and brown ink, brush and brown wash, over graphite
Attributed to Heneage Finch, 4th Earl of Aylesford
1770–1812
Gamba Bow, Wood, British
British
first half 18th century
Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
1879–80
In the Park at Packington, Heneage Finch, 4th Earl of Aylesford  British, Pen and brown ink, brush and brown and gray wash
Heneage Finch, 4th Earl of Aylesford
1770–1812
Alto Recorder, Joseph Bradbury  British, Wood, ivory, British
Joseph Bradbury
ca. 1700

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.