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The Beauty Message

1965
Not on view
In beauty stories, Bassman dramatized the ritual of mundane routines. Her camera lingered on long necks and attenuated fingers, poised here as if before a mirror. Works like this, for Town and Country, may seem to anticipate the aesthetic performance of contemporary "self-care," but they take cues from the history of art.

As young adults, Bassman and her husband spent much of their free time at The Met. She credits her preoccupation with gesture to long hours in the paintings galleries, where artists like El Greco captured her eye. "For me, it was always the very long throats, the slightly sloping shoulders, and the hands that moved beautifully," she recalled. "When I started to shoot, this is what I looked for."

Artwork Details

Object Information
  • Title: The Beauty Message
  • Artist: Lillian Bassman (American, Brooklyn, New York 1917–2012 New York)
  • Date: 1965
  • Medium: Gelatin silver print
  • Dimensions: 9 1/8 × 12 5/8 in. (23.2 × 32.1 cm)
  • Classification: Photographs
  • Credit Line: Gift of Lizzie and Eric Himmel, 2025
  • Object Number: 2025.889.40
  • Rights and Reproduction: © Estate of Lillian Bassman
  • Curatorial Department: Photographs
More Artwork
["This Is the Enemy" Poster Maquette], Lillian Bassman, Collage of gelatin silver prints with applied media
On loan to The Met
Lillian Bassman
Alexey Brodovitch
1942
[The Great Wave, Sète], Gustave Le Gray  French, Albumen silver print from glass negative
Gustave Le Gray
1857
"Do American Girls Like Freedom?" in Junior Bazaar, Lillian Bassman, Photomechanical reproduction
On loan to The Met
Multiple artists/makers
July 1947
The Big White Cloud, Lake George, Edward J. Steichen  American, born Luxembourg, Direct carbon print
Edward J. Steichen
1903, printed 1904
[Tear Sheet of Junior Bazaar Contents and Masthead], Lillian Bassman
Art Director Lillian Bassman
Publisher The Hearst Corporation
February 1948

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