Although this vase resembles Panathenaic prize amphorae in shape and decoration, the absence of the inscription from the games at Athens and the smaller size suggest that it was not a prize. The Antimenes Painter is most familiar from standard neck-amphorae showing mythological scenes that have the same sureness as the boxing match here.
Said to be from Rhodes
Alexander, Christine. 1933. Greek Athletics. New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 62, 203, pl. 23g, Cambridge, Mass.: Harvard University Press.
Beazley, John D. 1956. Attic Black-figure Vase-painters. pp. 274, 691, no. 124, Oxford: Clarendon Press.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. pp. 119, 124, Oxford: Clarendon Press.
Hannah, Patricia A. 2000. "An Athena on Both Sides Down Under." Periplous: Papers on Classical Art and Archaeology Presented to Sir John Boardman, Mr. Gocha R. Tsetskhladze, A. J. N. W. Prag, and Anthony M. Snodgrass, eds. London: Thames and Hudson.
Padgett, J. Michael. 2017. The Berlin Painter and His World : Athenian Vase-Painting in the Early Fifth Century B.C. p. 137, figs. 5–6, New Haven: Yale University Press.