Art/ Collection/ Art Object

Cylinder seal and modern impression: seated "pigtailed ladies" and pots

Period:
Late Uruk–Jemdet Nasr
Date:
ca. 3300–2900 B.C.
Geography:
Mesopotamia, Nippur
Medium:
Limestone
Dimensions:
H. 3/4 in. (1.9 cm)
Classification:
Stone-Cylinder Seals
Credit Line:
Rogers Fund, 1962
Accession Number:
62.70.74
On view at The Met Fifth Avenue in Gallery 402
Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography.

The modern impression of the seal is shown so that the entire design can be seen. The imagery on this seal depicts two pairs of so-called pigtailed ladies, seated facing each other, with arms outstretched towards an object or objects that consist only of a large circular drill mark with two smaller circles above. These three circles may be an abstract representation of the vessels with loop handles frequently seen on other seals of this type. Faint lines below the seated figures suggest mats or cushions. Between the backs of two of the figures are six drill holes, possibly representing two stacked vessels of the same type shown here between the seated figures.
1960–61, excavated on behalf of the Joint Expedition to Nippur (Baghdad School of the American Schools of Oriental Research and The Oriental Institute of the University of Chicago); acquired by the Museum in 1962, as a result of its financial contribution to the excavations.
Wilkinson, Charles K. 1962. "Near Eastern Art". The Metropolitan Museum of Art Bulletin 21 (2), Ninety-Second Annual Report of The Trustees for The Fiscal Year 1961-1962 (Oct., 1962), p. 84.

Rakic, Yelena ed. 2010. Discovering the Art of the Ancient Near East: Archaeological Excavations Supported by The Metropolitan Museum of Art, 1931–2010. The Metropolitan Museum of Art Bulletin 68 (1), Summer 2010, p. 24.
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