This painting was inscribed by the Chan (Zen) Buddhist priest Yanxi Guangwen between 1254 and 1256, while he was abbot of Lingyin temple in Hangzhou. The work is an important example of early Chan Buddhist "apparition" painting, so called for its pale, sensitive brushwork.
Depicted here is a famous encounter between the Confucian scholar Li Ao (active ca. 840) and the Chan master Yaoshan. Having heard of the master's reputation, the scholar went to see him but was disappointed and remarked: "Seeing your face is not as good as hearing your name." The master replied: "Would you distrust your eye and value your ear?" Then, pointing up and down, the master indicated that the ultimate reality is in what can be seen, such as "clouds in the sky and water in a vase."
Yanxi Guangwen's inscription on the painting reads:
All moments of enlightenment come in a flash, Why distrust your eye and value your ear? Just as between the water and the clouds, Do not say there is nothing there.
Just as the Chan master used riddles to sharpen the student's perception in spite of distracting hearsay, the Chan painter used a simple and spontaneous, albeit elusive, brush style to capture his fleeting vision of truth.
This artwork is meant to be viewed from right to left. Scroll left to view more.
painting
with mounting, rollers and knobs
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
南宋 傳直翁 藥山李翱問道圖 軸
Title:Meeting between Yaoshan and Li Ao
Artist:Attributed to Zhiweng (Chinese, active first half of the 13th century)
Period:Song dynasty (960–1279)
Date:before 1256
Culture:China
Medium:Horizontal painting mounted as a hanging scroll; ink on paper
Dimensions:Image: 12 1/2 x 33 1/4 in. (31.8 x 84.5 cm) Overall with mounting: 49 1/8 x 34 in. (124.8 x 86.4 cm) Overall with knobs: 49 1/8 x 36 1/4 in. (124.8 x 92.1 cm)
Classification:Paintings
Credit Line:Edward Elliott Family Collection, Purchase, The Dillon Fund Gift, 1982
Accession Number:1982.2.1
Signature:
Inscription: No artist’s inscription, signature, or seal
All moments of enlightenment come in a flash; Why distrust your eye and value your ear? Just as between the water and the clouds, Don’t say there is nothing there.[1] ???? [Seals]: Guangwen yinzhang, Yanxi
全機劈面來，賤目而貴耳。 便是水雲間，莫道無餘事。 住冷泉囗囗 [印]： 廣聞印章、偃溪
[1] Translation from Maxwell K. Hearn, How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, cat. no. 13, p. 66.
[ Ellen B. Elliott , Princeton, NJ, 1981; sold to MMA]
Lawrence. Spencer Museum of Art, University of Kansas. "Latter Days of the Law: Images of Chinese Buddhism, 850–1850," August 28, 1994–October 9, 1994.
Asian Art Museum of San Francisco. "Latter Days of the Law: Images of Chinese Buddhism, 850–1850," November 16, 1994–January 11, 1995.
New York. The Metropolitan Museum of Art. "Traditional Scholarly Values at the End of the Qing Dynasty: The Collection of Weng Tonghe (1830–1904)," June 30–January 3, 1999.
New York. The Metropolitan Museum of Art. "Text and Image: The Interaction of Painting, Poetry, and Calligraphy," January 23–August 16, 1999.
New York. China Institute in America. "West Lake and the Mapping of Southern Song Art," September 13, 2001–December 9, 2001.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan II," March 22–September 21, 2003.
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12–August 8, 2004.
New York. The Metropolitan Museum of Art. "Secular and Sacred: Scholars, Deities, and Immortals in Chinese Art," September 10, 2005–January 8, 2006.
New York. The Metropolitan Museum of Art. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007.
New York. Japan Society Gallery. "Awakenings: Zen Figure Painting in Medieval Japan," March 28, 2007–June 14, 2007.
New York. The Metropolitan Museum of Art. "Anatomy of a Masterpiece: How to Read Chinese Paintings," March 1–August 10, 2008.
New York. The Metropolitan Museum of Art. "The Yuan Revolution: Art and Dynastic Change," August 21, 2010–January 9, 2011.
Shanghai Museum. "Masterpieces of Chinese Tang, Song and Yuan Paintings from America," November 3, 2012–January 3, 2013.
London. Victoria and Albert Museum. "Masterpieces of Chinese Painting 700–1900," October 26, 2013–January 19, 2014.
New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from The Met Collection (Rotation One)," October 31, 2015–October 11, 2016.
Suzuki Kei 鈴木敬, ed. Chûgoku kaiga sogo zuroku: Daiikan, Amerika-Kanada Hen 中國繪畫總合圖錄: 第一卷 アメリカ - カナダ 編 (Comprehensive illustrated catalog of Chinese paintings: vol. 1 American and Canadian collections) Tokyo: University of Tokyo Press, 1982, p. 126, cat. no. A17-003.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, pp. 352–53, 355, pl. 77.
Lee, Hui-shu. Exquisite Moments: West Lake & Southern Song Art. Exh. cat. New York: China Institute in America, 2001, pp. 124–25, cat. no. 34.
Weidner, Marsha, ed. Cultural Intersections in Later Chinese Buddhism. Honolulu: University of Hawaii Press, 2001, p. 17, fig. 1.4.
Hearn, Maxwell K. How to Read Chinese Paintings. Exh. cat. New York: The Metropolitan Museum of Art, 2008, pp. 66–67, cat. no. 13.
He Muwen 何慕文 (Hearn, Maxwell K.). Ruhe du Zhongguo hua: Daduhui Yishu Bowuguan cang Zhongguo shuhua jingpin daolan 如何读中国画 : 大都会艺术博物馆藏中国书画精品导览 (How to read Chinese paintings) Translated by Shi Jing 石静. Beijing: Beijing daxue chubanshe, 2015, pp. 314–17, cat. no. 37.
Unidentified artist Chinese, active mid-12th century
mid-12th century
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
