In the seventeenth century, the popularity of images of human figures, animals, and inanimate objects such as ships on Iznik pottery increased. Some of these motifs may have held deeper significance. The young woman with a tambourine, for example, may symbolize the sun—sometimes referred to in Ottoman poetry as a tambourine.
[ E. Safani, New York, until 1967; sold to MMA]
Hood Museum of Art, Dartmouth College. "Images of Paradise in Islamic Art," April 26, 1992–June 21, 1992, no. 21.
New York. Visual Arts Gallery. "Iznik, Legendary Ceramics from Turkey: an Art Reborn," January 15, 2005–February 26, 2005, p. 25.
Grube, Ernst J. "Reports of the Departments: Islamic Art." Metropolitan Museum of Art Bulletin vol. 27, no. 2 (1968). pp. 103-106, ill. p. 103 (b/w).
Atasoy, Nurhan, and Julian Raby. Iznik: The Pottery of Ottoman Turkey, edited by Yanni Petsopoulos. London: Thames and Hudson, 1989. no. 614, pp. 274-275, ill. (b/w).
Denny, Walter B., A. Kevin Reinhart, and Gene R. Garthwaite. Images of Paradise in Islamic Art, edited by Sheila S. Blair, and Jonathan M. Bloom. Hanover, NH: Hood Museum of Art, Dartmouth College, 1991. no. 21, pp. 49, 88, ill., p. 49, fig. 21 (color), p. 88 (b/w).
Denny, Walter B. Iznik: the Artistry of Ottoman Ceramics. London and New York: Thames and Hudson, 2004. p. 192, ill. (color).
Hristoff, Peter. "An Art Reborn." In Iznik: Legendary Ceramics from Turkey. New York, NY: School of Visual Arts, 2004. p. 25, ill. (color).