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Islamic Art galleries at The Met

Islamic Art

The Met's collection of Islamic art ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and Indonesia. Comprising both sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.

Our History
Archival photo of display cases

Although the Museum acquired some seals and jewelry from Islamic countries as early as 1874, and a number of Turkish textiles in 1879, it received its first major group of Islamic objects in 1891, as a bequest of Edward C. Moore. Since then, the collection has grown through gifts, bequests, and purchases, as well as through Museum-sponsored excavations at Nishapur, Iran, in 1935–39 and in 1947. Until 1932, when the Department of Near Eastern Art was established, all of these objects were overseen by the Department of Decorative Arts. By 1963, the number of objects had increased to a point that necessitated an official departmental division between the Ancient Near Eastern and the Islamic portions of the collection, and the Department of Islamic Art was founded.

In 2011, after an extensive renovation, the Museum opened fifteen dramatic new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. The greatly enlarged and freshly conceived galleries highlight both the diversity and the interconnectedness of the numerous cultures represented, with multiple entryways that allow visitors to approach the galleries—and the art displayed within—from different perspectives.

Read more about the rich history of Islamic art at the Museum.

FEATURED

Wedding Attire: Three Cultures, One Celebration

This presentation of wedding ensembles and related accessories illustrates the diversity of ceremonies, customs, and clothing from the regions of China, Japan, and Ottoman Turkey and the Balkans.

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The House of Bijapur, Kamal Muhammad, Ink, opaque watercolor, gold, and silver on paper
Painting by Kamal Muhammad
Painting by Chand Muhammad
ca. 1680
Folio from the "Blue Qur'an", Gold and silver on indigo-dyed parchment
second half 9th–mid-10th century
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
ca. 1525
Salor Main Carpet, Wool (warp, weft, and pile), silk; asymmetrically knotted pile
late 18th–early 19th century
'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th century
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi  Iranian, Ink, opaque watercolor, and gold on paper
Author Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
Brasero, Earthenware; molded, luster-painted on opaque white glaze
late 15th–early 16th century
Floral Tent Panel, Silk, gold; cut velvet, painted
ca. 1635
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