Dancer at a Café Concert

Théophile-Alexandre Steinlen French, born Switzerland

Not on view

An illustrator and poster artist, Steinlen’s flamboyant imagery of the café concert invites comparison with Henri de Toulouse-Lautrec, his neighbor in Paris. Steinlen was the principal illustrator of Le Mirliton, a journal published by Aristide Bruant, the owner of a cabaret by the same title. Steinlen made this drawing as a cover design for the 17 February 1893 issue of the journal, to illustrate the song “Tha-ma-ra-boum-di-hé” and its accompanying dance, the high-kicking chahut.

Dancer at a Café Concert, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris), Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Dancer at a Café Concert, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris), Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board
Dancer at a Café Concert, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris), Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board

This artwork is meant to be viewed from right to left. Scroll left to view more.