Pot-metal, white glass, vitreous paint, silver stain
Overall (with 1 T-bar): 64 9/16 x 21 3/8 x 1/2 in. (164 x 54.3 x 1.3 cm)
Overall (installation opening): 64 1/4 x 28 5/8 in. (163.2 x 72.7 cm)
installation opening from 41.170.104-107: 64 1/4 x 99 1/2 in. (163.2 x 252.7 cm)
107a: 31 1/2 x 21 3/8 x 3/8 in. (80 x 54.3 x 1 cm)
107b: 32 11/16 x 21 3/8 x 3/8 in. (83 x 54.3 x 1 cm)
Bequest of George D. Pratt, 1935
On view at The Met Fifth Avenue in Gallery 306
These four scenes are probably part of the glazing from the Cistercian church at Mariawald, located southwest of Cologne. Here, the Cologne glass painters adapted color to the traditional fondness for colorless glass, so that large areas of saturated color are combined with equally large sections of grisaille (monochrome painting). These windows are stylistically related to the windows in the north aisle of Cologne Cathedral.
Inscription: (on St. Bernard's halo): MONSTRA TAESSE MATREM (on his mothers halo): SCA ALEIDIS MATER S' BERNARD (on father's Halo): S'TESSELIN'
Baron Stafford, Costessey Hall, Norfolk, England; George D. Pratt, Glen Cove, NY (until 1935)
Caviness, Madeline H., ed. Stained Glass Before 1700 in American Collections: New England and New York (Corpus Vitrearum Checklist I). Studies in the History of Art, Vol. 15. Washington, D.C.: National Art Gallery, 1985. p. 138-9.