Art/ Collection/ Art Object

唐 颜真卿 顏家廟碑 現代拓片 紙本
Yan Family Temple Stele

Artist:
Yan Zhenqing (Chinese, 709–785)
Date:
20th century
Culture:
China
Medium:
20th-century rubbing of a stele dated 780; ink on paper
Dimensions:
98 x 52 x 1 3/4 in. (248.9 x 132.1 x 4.4 cm)
Classification:
Rubbing
Credit Line:
Seymour and Rogers Funds, 1977
Accession Number:
1977.375.14a–d
Not on view
The calligraphy reproduced in this rubbing was engraved on a stone stele erected at the family temple of the official and calligrapher Yan Zhenqing. The text on the stele, which is dedicated to Yan's father, records the achievements of earlier generations of the family. The original stele is preserved today in the Forest of Stelae in Xi'an. Although many forms of calligraphy were practiced during the Tang dynasty, standard script from that period had the greatest impact on the later history of the art. In standard script, exemplified by Yan's stele inscription, square-shaped characters are written with articulated strokes that have complex turns, hooks, and dots.

From the Tang dynasty on, this script type was used extensively for formal documents and public monuments. Standard script is the form of calligraphy first learned by children and is the basis for the typefaces used in Chinese printing. One of the most influential artists in Chinese history, Yan Zhenqing was also a prominent statesman of the Tang dynasty and suffered a martyr's death when he refused to submit to rebels intent on overthrowing the dynasty. This monumental writing is seen by scholars of calligraphy as a powerful reflection of Yan's unconquerable integrity.
Inscription: Colophon (in lower right, at beginning of text) by Mengying, dated 982, regular script, describes the re-erection of the stele in the Changan Confucius Temple.

Stele dated 780
Princeton University Art Museum. "The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection," March 25, 1999–July 3, 1999.

New York. The Metropolitan Museum of Art. "The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection," September 15, 2000–January 7, 2001.

New York. The Metropolitan Museum of Art. "The Art of the Chinese Album," September 6, 2014–March 29, 2015.

Related Objects

Recovering the Tripod from the Si River

Date: 19th century (?) Medium: Rubbing of mid-2nd-century stone engraving; ink on paper Accession: 20.111.35 On view in:Gallery 214

Buddha with Bodhisattvas Padmapani and Vajrapani

Date: ca. 10th century Medium: Fired clay, molded and polychromed Accession: 2008.504 On view in:Gallery 253

New Classic of Mountains and Seas I

Artist: Qiu Anxiong (Chinese, born 1972) Date: 2008 Medium: Portfolio of twelve woodblock prints; ink on paper Accession: 2013.944a–l On view in:Gallery 216

Rustic Scene

Artist: Li Huasheng (Chinese, born 1944) Date: 1982 Medium: Hanging scroll; ink and color on paper Accession: 2013.1107 On view in:Gallery 216

Rock in the form of a fantastic mountain

Date: 20th century Medium: Taihu limestone; epoxy stand Accession: 2011.575.1a, b On view in:Gallery 209