The Last Glacier

Todd Anderson American
 Bruce Crownover
Ian Van Coller

Not on view

The Last Glacier is both an artistic response to and historical record of changes affecting the dramatic peaks and valleys found at Glacier National Park. The book reflects an effort to document and respond to climate-related topographical changes and the site’s disappearing glaciers, which the United States Geological Survey predicts will vanish by 2020. In style and technique, the artists reveal influences such as Japanese ukiyo-e prints and landscapes realized in a variety of media by nineteenth-century European and American artists.

The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka
The Last Glacier, Todd Anderson, Artist's book of 23 image plates with thirteen reductive woodblock prints on Okawara, and ten photographic pigment prints on Asuka

This artwork is meant to be viewed from right to left. Scroll left to view more.