A Portuguese Trading Ship Arrives in Japan
Returned to lender
This work of art was on loan to the museum and has since been returned to its lender.This is one of several Nanban screens that depict trading and cultural exchange between East and West. In 1543, a storm blew a Portuguese ship onto the tiny Japanese island of Tanegashima, and within a year, Portuguese ships began making regular visits to ports in Kyūshū. The Japanese called them Nanban, “Southern Barbarians,” since they were arriving from India via a southern route. A widespread frenzy of curiosity developed about these strange new arrivals in their giant ships with booming cannons, their mustaches curling beneath their noses, the dark skins of the Goanese sailors, and their exotic clothing. Japanese artists began painting pairs of large screens with this subject for the wealthy Japanese merchants who were often engaged in business with the Portuguese.
On the left screen, Portuguese traders dine and relax on the deck of their ship newly arrived at Nagasaki while the cargo is taken ashore to be laid out on the dock under the scrutiny of merchant overseers and local Catholic priests. The right screen shows the Portuguese Captain-Major on horseback leading a colorful procession of his men along a commercial street to a Christian church, designed to harmonize with the native style, but with a small cross above its doorway and separated from the rest of the town by a moat.
On the left screen, Portuguese traders dine and relax on the deck of their ship newly arrived at Nagasaki while the cargo is taken ashore to be laid out on the dock under the scrutiny of merchant overseers and local Catholic priests. The right screen shows the Portuguese Captain-Major on horseback leading a colorful procession of his men along a commercial street to a Christian church, designed to harmonize with the native style, but with a small cross above its doorway and separated from the rest of the town by a moat.
Artwork Details
- Title: A Portuguese Trading Ship Arrives in Japan
- Artist: Unidentified artist
- Period: Momoyama period (1573–1615)–Edo period (1615–1868)
- Date: early 17th century
- Culture: Japan
- Medium: Pair of six-panel folding screens; ink, color, gold, and gold-leaf on paper
- Dimensions: Image (each): 56 in. × 11 ft. 5 15/16 in. (142.3 × 350.4 cm)
Overall with mounting (each): 63 in. × 12 ft. 5/8 in. (160 × 367.4 cm) - Classification: Screens
- Credit Line: Lent by Feinberg Collection
- Curatorial Department: Asian Art