Returned to lender The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

A Portuguese Trading Ship Arrives in Japan

Unidentified artist

Not on view

This is one of several Nanban screens that depict trading and cultural exchange between East and West. In 1543, a storm blew a Portuguese ship onto the tiny Japanese island of Tanegashima, and within a year, Portuguese ships began making regular visits to ports in Kyūshū. The Japanese called them Nanban, “Southern Barbarians,” since they were arriving from India via a southern route. A widespread frenzy of curiosity developed about these strange new arrivals in their giant ships with booming cannons, their mustaches curling beneath their noses, the dark skins of the Goanese sailors, and their exotic clothing. Japanese artists began painting pairs of large screens with this subject for the wealthy Japanese merchants who were often engaged in business with the Portuguese.

On the left screen, Portuguese traders dine and relax on the deck of their ship newly arrived at Nagasaki while the cargo is taken ashore to be laid out on the dock under the scrutiny of merchant overseers and local Catholic priests. The right screen shows the Portuguese Captain-Major on horseback leading a colorful procession of his men along a commercial street to a Christian church, designed to harmonize with the native style, but with a small cross above its doorway and separated from the rest of the town by a moat.

A Portuguese Trading Ship Arrives in Japan, Unidentified artist, Pair of six-panel folding screens; ink, color, gold, and gold-leaf on paper, Japan

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.