Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap

Rembrandt (Rembrandt van Rijn) Dutch

Not on view

At first glance, this image looks like a small man contemplating a large tree with a mysterious dark pattern to its right. When the print is viewed sideways, it becomes clear that this area is actually the beginning of a self-portrait that Rembrandt never finished. The combination of fragmentary elements on this sheet reveals how spontaneous Rembrandt's prints could be. He moved from studying how light plays across his velvet cap and eyes, to the structure of the tree, and finished by experimenting with hatched lines in the space beside the tree and across its trunk. Significantly, the cap studied here is worn by Rembrandt in many of his self-portraits, including the Museum's painted version of 1660.

Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Etching; only state

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Etching; only state
Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Etching; only state
Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Etching; only state

This artwork is meant to be viewed from right to left. Scroll left to view more.