The Complete Works of E. Meissonier with Biography. New York, , vol. 1, pl. XL, as "Jacob Leusen".
Marius Chaumelin. Portraits d'artistes: E. Meissonier, J. Breton. Paris, 1887, p. 50, no. 124, as "Le Joueur de guitare".
"The Fine Arts: Art Notes." Critic (March 10, 1888), p. 119.
Montezuma [Montague Marks]. "My Note Book." Art Amateur 18 (April 1888), p. 105.
"A Big Sum for Paintings." New York Times (February 29, 1888), p. 2, notes that Knoedler bought this picture for $8,800 at the Spencer sale.
"'Meissoniers' Owned by Americans." Art Amateur 24 (March 1891), p. 6, states that Josiah M. Fiske purchased it at the Spencer sale.
Vallery C. O. Gréard. Meissonier: His Life and his Art. New York, 1897, p. 371, as "A Soldier of the Time of Louis XIII".
Charles Sterling and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, p. 151, ill., tentatively identify the model as Jacob Leusen, a frequent model of Meissonier's.
Philippe Guilloux. Meissonier: Trois siècles d'histoire. Paris, 1980, ill. p. 24, as "Soldat jouant de la mandoline".
Constance Cain Hungerford in Ernest Meissonier: Rétrospective. Exh. cat., Musée des Beaux-Arts, Lyons. Lyons, 1993, p. 126, under no. 49, fig. 16, calls it "Jacob Leusen. Soldat jouant du théorbe"; notes that Leusen, playing the same théorbo with his hands in the identical position, also posed for another painting of the same year, "Une chanson" (National Gallery of Ireland, Dublin); remarks that the costume in our painting is worn by Leusen's companion in the Dublin painting.
Isabelle Collet in Zamacois, Fortuny, Meissonier. Exh. cat., Museo de Bellas Artes de Bilbao. Bilbao, 2006, p. 232, under no. 75.