Barye delighted in depicting wild animals in unexpected poses. This one of a series of watercolors in which large cats laze on their backs or roll with abandon. Here, the tiger pauses and regards the viewer. Freely handled, the paint has been sponged and scumbled to create a rought rocky landscape whose forms echo the curves of the animal's body.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Tiger Rolling on Its Back
Artist:Antoine-Louis Barye (French, Paris 1795–1875 Paris)
Date:1810–75
Medium:Watercolor on heavy wove paper
Dimensions:Sheet: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm)
Classification:Drawings
Credit Line:H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number:29.100.586
Signature: Lower right: BARYE
Charles Binder (French)by 1860; his sale, Paris, Hôtel Drouot, April 8, 1873, lot 8; Cottier & Co.; Louisine W. Havemeyer
New York. The Metropolitan Museum of Art. "The H. O. Havemeyer Collection," March 10–November 2, 1930.
New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," May 21–August 12, 2001.
Zieseniss B19
The H.O. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art. Privately published, New York, 1931, p. 182.
Charles Otto Zieseniss Les Aquarelles de Barye, étude critique et catalogue raisonné. Paris, 1954, cat. no. B 19, fig. no. pl. 12, p. 65, ill.
The H.O. Havemeyer Collection. The Metropolitan Museum of Art, 2nd edition. New York, 1958, cat. no. 58, p. 12.
The Second Empire, 1852-1870: Art in France under Napoléon III. Exh. cat., October 1, 1978 - July 2, 1979. Philadelphia Museum of Art, Detroit Institute of Arts, Réunion des Musées Nationaux - Grand Palais, 1978, cat. no. VII-3, pp. 363-364 (ill, ill.
Treasures from the Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. Exh. cat., Yokohama Museum of Art. Denys Sutton, Yomiyuri Shimbun, Yokohama, 1989, In English version of catalogue, reproduced on p. 157., cat. no. 102, p. 161, ill.
Christopher Finch Nineteenth-Century Watercolors. Abbeville Press, New York, London, Paris, 1991, fig. no. 194, pp. 147, 148 (il, ill.
Alice Cooney Frelinghuysen, Gary Tinterow Splendid Legacy: The Havemeyer Collection. Exh. cat.: March 27-June 20. The Metropolitan Museum of Art, New York, 1993, pp. 72-73, note 7; Appendix 39, pp. 296 (ill.),, ill.
The Wild Kingdom of Antoine-Louis Bayre 1795-1875.. Wildenstein & Co., Inc., New York, 1994, pp. 29, 118, cat. no. 27, p. 51, illus.
Near East to Far West Fictions of French and American Colonialism. Western Passages, 11, Denver, CO, 2023.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.