Palatium M. Agrippa, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity

Anonymous, Italian, 16th century Italian
Previously attributed to Monogrammist G.A. & the Caltrop Italian

Not on view

Frontal view of the façade of the palace of Emperor Marcus Agrippa, as indicated by the inscription ‘Palatium M. Agrippa’ in the lower left corner. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker is relying on his imagination, based on a description of the palace in an historic source.

The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation.

Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject.

Palatium M. Agrippa, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity, Anonymous, Italian, 16th century, Engraving

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.