The Year One

See works of art
  • Standing male figure
    2000.284.42
  • Jar
    1975.268.378
  • Covered jar (hu)
    1992.165.20ab
  • Spouted Jar
    1999.484.3
  • Bird Pendant
    1993.302
  • Marble statue of a draped seated man
    09.221.4
  • Torso of a Ptolemaic King, inscribed with cartouches of a late Ptolemy
    1981.224.1
  • Earring in the form of a three-lobed wineskin
    1995.366
  • Horned Figure, Shaman (?)
    1979.206.478
  • Figure
    1979.206.695
  • Figure of a reclining woman
    86.16.3
  • Sword and Scabbard
    1999.94a-d
  • Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale
    03.14.13a-g
  • The Temple of Dendur
    68.154
  • Terracotta bowl
    10.210.37
  • Spherical jar with four rows of painted decoration
    08.202.47
  • Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase
    20.192.17
  • Wall painting on black ground: Aedicula with small landscape, from the imperial villa at Boscotrecase
    20.192.1-.8,.10,.11
  • Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase
    20.192.16
  • Goddess and Attendants
    1990.281
  • Marble statue of a togatus (man wearing a toga)
    04.15
  • Glass garland bowl
    91.1.1402
  • Glass ribbed bowl
    81.10.39
  • Marble portrait of the emperor Augustus
    07.286.115
  • Rhyton terminating in the forepart of a wild cat
    1979.447
  • Situla with design of ships
    2000.284.60
  • Clasp with an eagle and its prey
    17.190.2055
  • Bronze statue of an aristocratic boy
    14.130.1
  • Terret (Rein Guide)
    1988.79
  • Open bowl
    1977.234.12
  • Pair of Belt Plaques with Winged Horses
    24.174.6,7
  • Double-Spout Bottle: Guardian
    1996.174

Works of Art (33)

Essay

Throughout the world different systems have been used to mark the passage of time, but it has been common for cultures to count the passing of years from a specific event in their past. For example, the ancient Greeks counted years from the first Olympic Games (which correlates to 776 B.C.), while the Romans based their calendar on the founding year of Rome (traditionally 753 B.C.). The Jewish calendar starts from their idea of when the world was created (3760 B.C.), while the Muslim calendar begins with the Hijra, the migration of the Prophet Muhammad from Mecca to Medina in A.D. 622. A monk called Dionysius Exiguus (early sixth century A.D.) invented the dating system most widely used in the Western world. For Dionysius, the birth of Christ represented Year One. He believed that this occurred 753 years after the foundation of Rome. Although this is almost certainly wrong, since the Gospels state that Christ was born under Herod the Great, who died in 4 B.C., the system was adopted with years expressed as either B.C. (Before Christ) or A.D. (Anno Domini—”The Year of Our Lord”). The abbreviations BCE (before the common era) and CE (common era) are sometimes used.

A look at the art created across the world in the years around Year One of the Western calendar reveals an incredible richness and variety of cultures. It was a time of great cultural interaction, with vast areas crisscrossed by traders and adventurers who journeyed both east and west to bring back coveted goods and tantalizing scraps of information about exotic lands. Some relationships were established through the extension of Roman power under the rule of Augustus, the first Roman emperor (27 B.C.–A.D. 14). Others evolved through the overland and maritime trade routes that provided the East and West with tantalizing glimpses of each other and that also linked many Asian cultures in an unprecedented fashion. Artistic traditions and religious beliefs were exchanged along these global networks, as were luxury goods such as Roman glass, Chinese silk, and East Indian pepper.

In Europe, Celtic peoples excelled in intricate metalwork, and in Egypt a fascinating hybrid combining Greco-Roman and age-old Egyptian styles predominated. East of the Mediterranean, such wealthy centers as Palmyra, Petra, the kingdoms of southern Arabia, and the mighty Parthian empire produced a wide range of sculpture, ceramics, and precious metal objects that served both religious and luxury purposes as well as everyday uses. Continuing eastward from Parthia to what is now Afghanistan, Pakistan, and northern India, a traveler in the Year One would have discovered the Kushan empire, where a distinctive early Buddhist art sometimes incorporated influences from Greece and Rome. In East Asia, China’s great empire under the Han dynasty was home to sophisticated arts in every medium; seminomadic peoples in northern China made metalwork, often to adorn the gear for their horses; and characteristic arts had begun to develop in Korea and Japan. Meanwhile, in cultures across the Pacific Ocean, people such as the Nasca in South America and the Mayan civilization in Mesoamerica were creating powerful and expressive objects made of stone, ceramic, and gold.

Department of Ancient Near Eastern Art, The Metropolitan Museum of Art

October 2004

Citation

Department of Ancient Near Eastern Art. “The Year One.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/yron/hd_yron.htm (October 2004)

Further Reading

Milleker, Elizabeth J., ed. The Year One: Art of the Ancient World East and West. Exhibition catalogue. New York: Metropolitan Museum of Art, 2000. See on MetPublications

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