The Seine at Chatou

Artist: Maurice de Vlaminck (French, Paris 1876–1958 Reuil-La-Gadelière)

Date: 1906

Medium: Oil on canvas

Dimensions: 32 1/8 × 39 3/4 in. (81.6 × 101 cm)

Classification: Paintings

Credit Line: Jacques and Natasha Gelman Collection, 1998

Accession Number: 1999.363.84

Rights and Reproduction: © 2017 Artists Rights Society (ARS), New York

Description

Born in Paris to a Flemish father and a French mother, Vlaminck grew up in a musical household that was virtually impoverished. At the age of sixteen, he left home and moved to Chatou, where he later supported his wife and two children by working as a professional cyclist and an itinerant violinist. Although now considered a suburb of Paris, Chatou was then a small village situated to the west, along the Seine. Opposite it lies the Île de Chatou, a long, narrow stretch of land in the center of the river. The scene shown here appears to have been observed from a point on the island facing the village of Chatou, with its red-roofed houses, on the mainland. Vlaminck shared a studio on the island with fellow artist André Derain in 1900. Together, they formed what has been called the "School of Chatou," and their painting style—characterized by bright colors and bold brushstrokes—was a harbinger of Fauvism.


The self-taught Vlaminck embraced painting with the same unbridled passion as he did life itself, spontaneously choosing the most straightforward forms and basic hues to express his feelings: "I try to paint with my heart and my guts without worrying about style." After the Parisian art dealer Ambroise Vollard purchased Vlaminck's existing stock of paintings early in 1906, the artist was able to devote himself fully to painting, and his work became more lighthearted and exuberant. He spent the summer of 1906 in and around Chatou, painting pictures such as this one, in which he emulated the undisguised brushwork and intuitive application of paint of Van Gogh's late, expressive style, which he so admired. Combining the primary colors of blue and red with white, Vlaminck applied them directly from the tube in daubs and swirls of pigment, employing these conventional hues for the white houses, green leaves, reddish-orange tree trunks, and the blue, red, and white trawler in the background.

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