In painting and photography, Sheeler presented his interest in industry’s robust architecture. He viewed American factories and industrial plants as modern-day equivalents to the Gothic cathedrals of Europe. Expressing his belief in machinery’s powerful symbolism, he said, "Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression." Here, Sheeler adopted techniques from his photographic practice—cropping, sharply angled views—and applied them to painting, presenting the water plant’s massive system of pipes and buttressed towers as an imposing contemporary monument.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Water
Artist:Charles Sheeler (American, Philadelphia, Pennsylvania 1883–1965 Dobbs Ferry, New York)
Date:1945
Medium:Oil on canvas
Dimensions:24 × 29 1/4 in. (61 × 74.3 cm)
Classification:Paintings
Credit Line:Arthur Hoppock Hearn Fund, 1949
Object Number:49.128
Inscription: Signed and dated (lower left): Sheeler - 1945
the artist, New York (1945–at least 1946; to Downtown Gallery); [Downtown Gallery, New York, by 1948–49; sold to MMA]
New York. Downtown Gallery. "Important New Paintings and Sculpture by Leading American Artists," May 1–25, 1945, checklist no. 19 (notes that this is the first showing of this work).
Art Institute of Chicago. "The Fifty-Sixth Annual American Exhibition of Paintings," October 25, 1945–January 1, 1946, no. 132 (awarded the Norman Wait Harris Silver Medal and Prize; on sale for $2,750).
New York. Downtown Gallery. "Exhibition of Recent Paintings by Charles Sheeler," March 5–23, 1946, no. 3.
Pittsburgh. Carnegie Institute. "Painting in the United States," October 10–December 8, 1946, no. 21.
Iowa City. University of Iowa. "Third Summer Exhibition of Contemporary Art," June 15–July 30, 1947, no. 100.
Chapel Hill. Weatherspoon Art Gallery, University of North Carolina. 1947, no catalogue.
San Francisco. California Palace of the Legion of Honor. "Third Annual Exhibition of Painting," December 1, 1948–January 16, 1949, unnumbered cat. (p. 24; lent by The Downtown Gallery).
New York. The Metropolitan Museum of Art. "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum," June 16–October 29, 1950, unnum. brochure (p. 11).
Iowa City. University of Iowa. "The Quest of Charles Sheeler: 83 Works Honoring His 80th Year," March 17—April 14, 1963, no. 49.
Denver Art Museum. "The American Panorama—An Exhibition," March 17–May 27, 1968, unnumbered cat. (p. 35).
Washington, D.C. National Collection of Fine Arts, Smithsonian Institution. "Charles Sheeler," October 10–November 24, 1968, no. 103.
Philadelphia Museum of Art. "Charles Sheeler," January 10–February 16, 1969, no. 103.
New York. Whitney Museum of American Art. "Charles Sheeler," March 11–April 27, 1969, no. 103.
New York. The Metropolitan Museum of Art. "American Paintings, Drawings and Watercolors from the Museum's Collections," October 1–December 7, 1969, no catalogue.
New York. American Academy of Arts and Letters. "Memorial Exhibition: Lee Gatch, Hans Hofmann, Edward Hopper, Henry Schnakenberg, Charles Sheeler," March 4–April 10, 1971, no. 46.
San Juan. El Instituto de Cultura Puertorriqueña. "Arte del Siglo Veinte: EE.UU. del Museo Metropolitano de Arte," April 19–May 31, 1974, no. 13.
Moscow. State Pushkin Museum of Fine Arts. "Representations of America," December 15, 1977–February 15, 1978, no catalogue.
Leningrad. State Hermitage Museum. "Representations of America," March 15–May 15, 1978, no catalogue.
Minsk, Belarus. Palace of Art. "Representations of America," June 15–August 15, 1978, no catalogue.
Palais des Beaux-Arts, Brussels. "Peinture américaine, 1920–1940 (Amerikaanse schilderkunst, 1920–1940)," November 10–December 30, 1979, no. 79.
New York. The Metropolitan Museum of Art. "Selection One: Twentieth-Century Art," February 1–April 30, 1985, no catalogue.
Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 59).
Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.
Tulsa, Okla. Philbrook Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," April 14–June 9, 1991, no. 31.
Miami. Center for the Fine Arts. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," June 29–August 24, 1991, no. 31.
Omaha. Joslyn Art Museum. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," September 14–November 10, 1991, no. 31.
Tampa Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," December 14, 1991–February 8, 1992, no. 31.
Greenville, S. C. Greenville County Museum of Art. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," March 17–May 10, 1992, no. 31.
Madison, Wisc. Madison Art Center. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," June 6–August 2, 1992, no. 31.
Grand Rapids, Mich. Grand Rapids Art Museum. "The Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art," September 11–November 8, 1992, no. 31.
Berlin. Deutsches Historisches Museum. "Kunst und Propaganda im Streit der Nationen 1930–1945," January 26–April 29, 2007, no. US/44.
Oxford, England. Ashmolean Museum. "America's Cool Modernism: O'Keeffe to Hopper," March 23–July 22, 2018, no. 69.
C. J. Bulliet. "Religious Trends Challenge Our Materialism in Chicago Annual." Art Digest 20 (November 1, 1945), p. 8, ill. p. 7.
Robert Beverly Hale. 100 American Painters of the 20th Century: Works Selected from the Collections of The Metropolitan Museum of Art. New York, 1950, ill. p. 103.
Francis Henry Taylor. "A Report on American Art." Metropolitan Museum of Art Bulletin 8 (January 1950), ill. p. 134.
The Metropolitan Museum of Art Miniatures. Vol. 17, album W, Twentieth-Century American Painters. New York, 1950, unpaginated, no. 21, ill. (color).
Francis Henry Taylor. Fifty Centuries of Art. New York, 1954, ill. p. 180 (color).
Lillian Dochterman. The Quest of Charles Sheeler: 83 Works Honoring His 80th Year. Exh. cat., University of Iowa. Iowa City, 1963, pp. 26–27, 50, no. 49, fig. 16.
Henry Geldzahler. American Painting in the Twentieth Century. New York, 1965, pp. 139–40, ill.
Henry Geldzahler. Arte del Siglo Veinte: EE.UU. del Museo Metropolitano de Arte/ Twentieth-Century Art: U.S.A. from The Metropolitan Museum of Art. Exh. cat., El Instituto de Cultura Puertorriqueña. San Juan, 1974, p. 38, no. 13, ill. p. 37.
Martin Friedman. Charles Sheeler. New York, 1975, p. 9, colorpl. 28.
Kathleen Howard, ed. The Metropolitan Museum of Art Guide. New York, 1983, p. 419, no. 19, ill. (color).
Piri Halasz. "Manhattan Museums: The 1940s vs. the 1980s; Part Two: The Metropolitan Museum of Art." Arts Magazine 59 (March 1985), pp. 92–93, 96, fig. 5.
Ross Woodrow in20th Century Masters from The Metropolitan Museum of Art, New York. Exh. cat., Australian National Gallery. Canberra, 1986, p. 59, ill. (color).
Lowery S. Sims in20th Century Art: Selections from the Collection of The Metropolitan Museum of Art, New York. Vol. 2, Painting: 1945–1985. New York, 1986, pp. 10–11, ill. (color, overall and detail).
Oswaldo Rodriguez Roque et al. The Metropolitan Museum of Art. Vol. 9, The United States of America. New York, 1987, p. 134, colorpl. 102.
Lisa M. Messinger inThe Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art. Exh. cat., American Federation of Arts. New York, 1991, pp. 96–97, no. 31, ill. (color).
Lowery Stokes Sims inThe Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art. Exh. cat., American Federation of Arts. New York, 1991, pp. 87–88.
Robert Rosenblum inThe Landscape in Twentieth-Century American Art: Selections from The Metropolitan Museum of Art. Exh. cat., American Federation of Arts. New York, 1991, p. 8.
Karen Lucic. Charles Sheeler and the Cult of the Machine. Cambridge, Mass., 1991, p. 113, fig. 56.
John Brandenburg. "Art Review: Philbrook Show Features 60 Landscape Paintings." Daily Oklahoman (May 29, 1991), p. 13.
Eliot Nusbaum. "Joslyn Hosts a Vivid Landscape Show." Des Moines Sunday Register (September 22, 1991), p. 7F, ill.
Mary Ann Marger. "An Artistic Tribute to America." Tampa Bay Times (January 17, 1992), p. 32.
Nikola Doll inKunst und Propaganda im Streit der Nationen 1930–1945. Exh. cat., Deutsches Historisches Museum, Berlin. Dresden, 2007, pp. 422–23, no. US/44, ill. (color).
Innis Howe Shoemaker. Adventures in Modern Art: The Charles K. Williams II Collection. Exh. cat., Philadelphia Museum of Art. Philadelphia, 2009, p. 272, fig. 43 (color).
Katherine M. Bourguignon in Katherine M. Bourguignon Lauren Kroiz and Leo G. Mazow. America's Cool Modernism: O'Keeffe to Hopper. Exh. cat., Ashmolean Museum. Oxford, England, 2018, p. 96, no. 69, ill. p. 97 (color).
Kelly Baum and Randall Griffey inAlice Neel: People Come First. Exh. cat., The Metropolitan Museum of Art. New York, 2021, p. 18, fig. 7 (color).
Use viewing questions and a debate activity to investigate the relationship between art and community values, techniques artists use to convey ideas, and strategies for interpreting an American painting in the Museum's Modern and Contemporary galleries.
Study the relationship between the human and natural worlds in art, as well as the techniques artists use to convey ideas, by exploring a painting by Frederic Edwin Church in the Museum's American Wing. Extend the lesson through a writing and drawing activity in the classroom, or a sketching activity outdoors.
Charles Sheeler (American, Philadelphia, Pennsylvania 1883–1965 Dobbs Ferry, New York)
ca. 1930
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
