DescriptionWillem de Kooning, born in Rotterdam in 1904, was apprenticed to a commercial arts and decorating firm there from 1916 to 1921. From 1917 to 1921 he also studied at the Rotterdam Academy of Fine Arts and Techniques. In 1926 he left Holland illegally for the United States by working in the engine room of a ship and, newly arrived in New Jersey, supported himself as a house painter. De Kooning moved to New York City in 1927, and within a few years he was friends with the artists John Graham, Stuart Davis, David Smith, Arshile Gorky, Jackson Pollock, Franz Kline, and Mark Rothko. From the late 1930s through the 1950s his biomorphic abstractions (which allude to figures and landscapes) and his series Women placed him in the center of the Abstract Expressionist art movement. The gestural style of painting and the visual vocabulary of forms that he developed at this time continued to inform his later work. De Kooning was an accomplished draftsman as well as painter and made his first sculptures in 1969.

 

 

"Woman" belongs to his first series of women, begun about 1940. Like other works in this series, the colors are raucously bright — jarring hues of green, ocher, blue, and orange — and the imagery is tenuously balanced between realism and abstraction. An awkwardly posed, somewhat grotesquely formed female figure is broadly painted without modeling. The parts of her body are reduced to independent abstract shapes and lines, as is the spatially flattened environment in which she exists. Her comical, masklike face, with smiling bow-shaped lips and large bulging eyes, adds to the light air of the picture. Although de Kooning's image is recognizable as a woman, the emphasis is on the abstract arrangement of form, line, and color.

ProvenanceEdwin Denby and Rudolph Burchardt Thomas B. Hess The Metropolitan Museum and the Heirs of Thomas B. Hess