A spacious museum gallery showcasing various artworks, including paintings and a sculpture, with elegant wood flooring and neutral walls.

Reopened Fall 2023: Galleries for European Paintings 1300 to 1800

Big things are happening in The Met’s celebrated European Paintings galleries.


The European Paintings galleries span two areas of the Museum, dividing the collection between the years 1300 to 1800 and 1800 to 1900. Over the past seven decades, the expansive overhead skylights that admit natural overhead light into the pre-1800 galleries have deteriorated, necessitating their replacement. This work has improved the quality of light, enhanced the experience of looking at paintings, and resolved basic maintenance issues for the preservation of our historic physical plant. This momentous undertaking, which began in 2018 affects over 30,000 square feet of gallery space. The final reinstallation, including the complete rehanging of the galleries, opened in late Fall 2023. This project requires gallery closures and movement of works of art among galleries.

The Metropolitan Museum of Art reopened its full suite of 45 galleries dedicated to European paintings from 1300 to 1800 on November 20, 2023, following the completion of an extensive skylight renovation project that began in 2018.

Graphic of seven distinct paintings, each composed of strips that reveal the eyes, with text overlay that says "Look Again: European Paintings 1300—1800"
Exhibition

The reopened galleries dedicated to European Paintings from 1300 to 1800 highlight fresh narratives and dialogues among more than 700 works of art from the Museum’s world-famous holdings

A collage of seven portraits stacked vertically and cropped to show only the subjects eyes.
Press Release

The reopened galleries will highlight new narratives and juxtapositions among more than 700 works of art following an approximately five-year-long project to replace the galleries’ skylights

The lifespan of the present skylight system—installed in 1939 and remodeled in 1952—has run its course. Additionally, this work assures the optimum quality of light for The Met’s visitors.

Just ask any painter! Before the twentieth century, most paintings were created in natural light. Looking at paintings without excessive artificial lights allows us to best appreciate the artist’s handling of materials. Natural pigments respond best to such circumstance. For this reason, many museums place their paintings galleries on the top floor, with natural overhead light usually augmented by artificial light. The Met’s ambitious new system of skylights will cast a wonderfully diffuse light that can be maintained and seasonally adjusted with a view to longevity. It supports the Museum’s aim to provide visitors with the optimal environment in which to appreciate the collection.

Stay up-to-date on the project through a series of blog articles written by The Met's curatorial team and guest authors.

The Met Fifth facade
How do you replace a glass roof over the world's greatest art museum and still keep it open to visitors? Go behind the scenes of the European Paintings Skylights Project and see how construction crews are hard at work keeping the art safe.
View of an empty gallery in The Met with exposed skylights in the ceiling
Curator Keith Christiansen gives an update on the European Paintings Skylights Project and offers behind-the-scenes photos of the galleries under construction.
One of The Met's European Paintings galleries, with Jacques Louis David's "Death of Socrates" at the center
Curator Keith Christiansen takes a fresh look at Jacques Louis David's The Death of Socrates after its new installation in gallery 631.
Workers using lifts to carefully install a large artwork on a museum wall, surrounded by smaller framed pieces.
Curator Keith Christiansen gives readers a behind-the-scenes view of how Raphael's Madonna and Child Enthroned with Saints was moved into a new gallery location.
Two museum staff members transport a framed painting on a trolley in an art gallery, surrounded by various artworks.
Collections Management Associate Bianca Ruthven highlights some of the recent discoveries being made about the European Paintings collection as artworks are being moved in preparation for the Skylights Project.
A serene gallery with European Paintings hung on the walls in gold frames and a large painting in a pedestal display in the middle of the room. Natural sunlight from a glass ceiling illuminates the room. There are no people in the gallery.
Curator Keith Christiansen shares with readers the behind-the-scenes activity going on at this stage of the European Paintings Skylights Project.
A spacious art gallery featuring oil paintings on the walls, two wooden benches, and a large skylight overhead. There are no people in the space.
Curator Keith Christiansen announces a large-scale project to update the skylights in the Department of European Paintings.