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Seated Man with a Pitcher and a Glass

Former Attribution Jean-Baptiste Greuze French
1756–1810
Not on view
Boissieu manifests his love of the picturesque in his landscapes, portraits, and genre scenes, inspired by careful observation of provincial life in his native Lyons. While the strong, tight lines of his red-chalk drawings derive from his training as an engraver, his wash drawings focus on contrasts between light and dark, revealing the influence of seventeenth-century Dutch Fijnschilders (precise painters) such as van Mieris. The sitter may represent a Lyonnais prisoner awaiting the guillotine during the French Revolution.

Artwork Details

Object Information
  • Title: Seated Man with a Pitcher and a Glass
  • Artist: Jean Jacques de Boissieu (French, Lyons 1736–1810 Lyons)
  • Former Attribution: Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris)
  • Date: 1756–1810
  • Culture: French
  • Medium: Brush and black ink with gray wash.
  • Dimensions: 11 13/16 x 8 3/4 in. (30 x 22.2 cm)
  • Classification: Drawings
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.633
  • Curatorial Department: The Robert Lehman Collection
More Artwork
Portrait, after Van Dyck, Jean Jacques de Boissieu  French, Etching; fourth state of five
Jean Jacques de Boissieu
After Anthony van Dyck
1770
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée)  French, Black chalk, sepia and black ink, sepia and gray wash heightened with white
Claude Lorrain (Claude Gellée)
ca. 1671
Entrance to the Forest of Brie with Cottage on the Right, Jean Jacques de Boissieu  French, Etching with drypoint; fifth state of five
Jean Jacques de Boissieu
1772
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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