Musical bracket clock with calendar

Clockmaker: Thomas Lozano

Not on view

A native of Spain, Lozano learned his craft in London and spent his working life there, hence the London place-name and Spanish spelling on the dial of this clock. The case, dial, and back plate of the clock all reflect the influence of English rococo style but are not typically English. The movement incorporates a musical mechanism, with a choice of twelve tunes, which like the striking mechanism can be silenced at will.

Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London
Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London
Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London
Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London
Musical bracket clock with calendar, Clockmaker: Thomas Lozano (active 1700–1715), Case and bracket: mahogany, with gilded-brass mounts; Dial: silvered brass, British, London

This artwork is meant to be viewed from right to left. Scroll left to view more.