Basin (Réchaud)

mid-16th century
On view at The Met Fifth Avenue in Gallery 544
The shape suggests a chafing dish (réchaud in French). Food was kept warm in a separate receptacle placed atop the basin, which would have been filled with water heated by a brazier stored in the pedestal. However, the fragility of the Museum’s basin indicates that it served a purely decorative purpose. The purple and green pillars and the large-scale floral motifs on a brown ground are unique to this piece.

Artwork Details

Object Information
  • Title: Basin (Réchaud)
  • Date: mid-16th century
  • Culture: French, Saint-Porchaire or Paris
  • Medium: Lead-glazed earthenware (white pottery)
  • Dimensions: 5-3/4 x 8 in. (14.6 x 20.3 cm)
  • Classification: Ceramics-Pottery
  • Credit Line: Gift of J. Pierpont Morgan, 1917
  • Object Number: 17.190.1741
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Cover Image for 2323. Saint-Porchaire Ware

2323. Saint-Porchaire Ware

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IAN WARDROPPER: In the center of the gallery, we can see a group of pottery that is unique to France during this period, and that is often called Henry II Ware, "Henri Deux Ware," after the son of Francis I -- Henry II -- who reigned from 1547 until 1559. It's one of the most distinctive and unusual forms of pottery that was produced anywhere in Europe during this period, and is almost synonymous with the arts of France. This is one of the rarest of all potteries and one of the most mysterious. There are still debates over exactly where this was produced. There are only some 60 or so pieces that exist in the world. And what it centers on is a kind of white pipe clay that was stamped or impressed, and darker clay was pressed into it.This is a technique that's actually closer to metalwork than it is to pottery. And as you walk around it, you see all kinds of decorative forms that were popular in the Renaissance and spread through the forms of engravings and drawings. For example, various kinds of designs based on knots were popularized by artists such as Leonardo da Vinci or Albrecht Durer. And so you see these potters -- like magpies -- taking their designs from many different sources and applying them to the surfaces of these wares.

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