Pair of gloves
In 1629, a Venetian ambassador sent a shopping list to his colleague who was stationed in England, requesting "three dozen of their white summer gloves, without any embroidery, as plain as possible, but cut and pointed, and above all let them be white and thin."
These gloves, though white, relatively plain, and perforated at the palms—presumably for summer months—would not have pleased the ambassador with their still-lush details in silk on satin. Silver stems, dazzling with spangles, connect needlepoint leaves that have been individually outlined in pink. Yet they, like the above request, reveal how gloves—however luxurious—were purchased and owned in multiples, swapped in and out according to season, taste, and occasion.
-Sarah Bochicchio, 2020
These gloves, though white, relatively plain, and perforated at the palms—presumably for summer months—would not have pleased the ambassador with their still-lush details in silk on satin. Silver stems, dazzling with spangles, connect needlepoint leaves that have been individually outlined in pink. Yet they, like the above request, reveal how gloves—however luxurious—were purchased and owned in multiples, swapped in and out according to season, taste, and occasion.
-Sarah Bochicchio, 2020
Artwork Details
- Title: Pair of gloves
- Date: second quarter 17th century
- Culture: British
- Medium: Leather, satin, lace
- Dimensions: Each: L. 12 x W. 3 1/2 inches (30.5 x 8.9 cm)
- Classification: Textiles-Embroidered
- Credit Line: Gift of Mrs. Edward S. Harkness, 1928
- Object Number: 28.220.5, .6
- Curatorial Department: European Sculpture and Decorative Arts
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Paul de Lamerie
1744/45
Thomas Toft
ca. 1680
Robert Barker
ca. 1607
Italian
late 17th century (textile); 18th century (current appearance)
Multiple artists/makers
1769–71
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