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Dalmatic back

Late 19th century
Not on view
Responding to the Gilded Age's enthusiasm for Renaissance style, this garment is a pastiche, created out of repurposed crimson velvet furniture upholstery– thinly piled, with previous wear marks and tack holes clearly visible– paired with what was then brand new, late-nineteenth century needlework. These needlework panels, that representing Saint Luke applied to one side of the garment and Saint Mark to the other, were very competently executed by talented professionals, their design and technique emulating sixteenth-century examples, but with thinner, shinier metal-threads and garishly bright sewing silks. Though shaped as an oversized tunic-like dalmatic worn by a Catholic priest, this "vestment" was most likely assembled by a dealer to appeal to the art market rather than for use within an ecclesiastic context.

Artwork Details

Object Information
  • Title: Dalmatic back
  • Date: Late 19th century
  • Culture: Spanish, possibly
  • Medium: Silk and metal thread
  • Dimensions: L. 49 x W. 39 inches (124.5 x 99.1 cm)
  • Classifications: Textiles-Velvets, Textiles-Ecclesiastical
  • Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931
  • Object Number: 32.100.403b
  • Curatorial Department: European Sculpture and Decorative Arts
More Artwork
Dalmatic front, Silk and metal thread, Spanish, possibly
Spanish, possibly
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Goya (Francisco de Goya y Lucientes)
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Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Apparels for a Requiem Mass, Silk and metal thread, Spanish
Spanish
ca. 1700 (embroidery) patched and reassembled to current shape in the 19th century
Self-Portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink
Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796

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