Five marble architectural fragments

ca. 90–92 CE
On view at The Met Fifth Avenue in Gallery 162
These highly elaborate fragments are believed to belong to the palace that the emperor Domitian had built on the Palatine hill between A.D. 81 and 92, in succession to the imperial residences that had been established there by Augustus, Tiberius, and Nero. The palace was designed by the architect Rabirius, who made much use of imported colored marble, pools, and fountains in the decoration of the vast complex. Another striking feature was the height of the various state rooms. The Aula Regia (the main audience chamber), for example, had an interior façade of three stories and a ceiling some one hundred feet above the floor. The grand suite of halls was where the emperor greeted and sometimes entertained well-to-do members of Roman society, ambassadors from the provinces, and foreign princes. Little now survives of the grandeur of the imperial palace, although it remained in use well into later Roman times and underwent numerous alterations and additions during the intervening period. In the Middle Ages, it became a ready source for marble, and later, the site for several Italian villas and gardens.

The five pieces comprise different elements of the entablature, which decorated the upper part of the building:
06.970a Cornice block with dentils and egg-and-dart motifs
06.970b Architrave lintel block from between two columns
06.970c Fragment of a frieze depicting a sphinx
06.970d Cornice block with palmettes
06.970e Fragment of a frieze with a bucranium supporting swags

Artwork Details

Object Information
  • Title: Five marble architectural fragments
  • Period: Early Imperial, Domitianic
  • Date: ca. 90–92 CE
  • Culture: Roman
  • Medium: Marble
  • Dimensions: Other (a. height): 19 × 70 × 19 in., 2432 lb. (48.3 × 177.8 cm)
    Other (b. height): 19 × 29 × 23 in., 866 lb. (48.3 × 73.7 cm)
    Other (c. height): 30 × 24 × 7 in., 478 lb. (76.2 × 61 cm)
    Other (d. height): 11 × 36 × 16 in., 601 lb. (27.9 × 91.4 cm)
    Other (e. height): 16 × 23 × 3 in., 104 lb. (40.7 × 58.4 cm)
  • Classification: Stone Sculpture
  • Credit Line: Gift of J. Pierpont Morgan, 1906
  • Object Number: 06.970a–e
  • Curatorial Department: Greek and Roman Art

Audio

Cover Image for 1206. Five Marble Architectural Fragments

1206. Five Marble Architectural Fragments

0:00
0:00

These ornate marble fragments are believed to have come from the imperial palace built by the Roman Emperor Domitian. Following the great fire of Rome in 64 A.D. and the civil war in 69 A.D., enormous efforts were made to rebuild the city despite its failing economy. Domitian, who reigned between 81 and 96 A.D., invested vast sums in some fifty new buildings, including a sumptuous new palace on the Palatine Hill. The imperial complex was adorned with sculptures, imported colored marbles, frescoes, and mosaics. It had pools and fountains, and a main audience hall with a ceiling one hundred feet high.

These five fragments were part of a carved relief that decorated the entablature, that is, the section between the columns and the roof. Take a moment to look closely at their elaborate details. One fragment depicts a sphinx—a winged creature with a lion’s body. Another shows ox-skulls decorated with garlands of fruit. Look for the block embellished with acanthus leaves, and notice how painstakingly the artist rendered the veins of these leaves.

Such elaborate ornamentation gives us a rare glimpse of imperial grandeur and ostentation during the Flavian period, between 69 and 96 A.D.

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback