Five marble architectural fragments
The five pieces comprise different elements of the entablature, which decorated the upper part of the building:
06.970a Cornice block with dentils and egg-and-dart motifs
06.970b Architrave lintel block from between two columns
06.970c Fragment of a frieze depicting a sphinx
06.970d Cornice block with palmettes
06.970e Fragment of a frieze with a bucranium supporting swags
Artwork Details
- Title: Five marble architectural fragments
- Period: Early Imperial, Domitianic
- Date: ca. 90–92 CE
- Culture: Roman
- Medium: Marble
- Dimensions: Other (a. height): 19 × 70 × 19 in., 2432 lb. (48.3 × 177.8 cm)
Other (b. height): 19 × 29 × 23 in., 866 lb. (48.3 × 73.7 cm)
Other (c. height): 30 × 24 × 7 in., 478 lb. (76.2 × 61 cm)
Other (d. height): 11 × 36 × 16 in., 601 lb. (27.9 × 91.4 cm)
Other (e. height): 16 × 23 × 3 in., 104 lb. (40.7 × 58.4 cm) - Classification: Stone Sculpture
- Credit Line: Gift of J. Pierpont Morgan, 1906
- Object Number: 06.970a–e
- Curatorial Department: Greek and Roman Art
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1206. Five Marble Architectural Fragments
These ornate marble fragments are believed to have come from the imperial palace built by the Roman Emperor Domitian. Following the great fire of Rome in 64 A.D. and the civil war in 69 A.D., enormous efforts were made to rebuild the city despite its failing economy. Domitian, who reigned between 81 and 96 A.D., invested vast sums in some fifty new buildings, including a sumptuous new palace on the Palatine Hill. The imperial complex was adorned with sculptures, imported colored marbles, frescoes, and mosaics. It had pools and fountains, and a main audience hall with a ceiling one hundred feet high.
These five fragments were part of a carved relief that decorated the entablature, that is, the section between the columns and the roof. Take a moment to look closely at their elaborate details. One fragment depicts a sphinx—a winged creature with a lion’s body. Another shows ox-skulls decorated with garlands of fruit. Look for the block embellished with acanthus leaves, and notice how painstakingly the artist rendered the veins of these leaves.
Such elaborate ornamentation gives us a rare glimpse of imperial grandeur and ostentation during the Flavian period, between 69 and 96 A.D.
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