据传作者为长毛萨梯的画家绘有希腊人和亚马逊人之战及半人马和拉皮斯之战的涡形双耳喷口杯

ca. 450 BCE
On view at The Met Fifth Avenue in Gallery 153
尽管据公元前五世纪的文学作品记载,古希腊人了解他们在希波战争(公元前490 – 479年)中胜利的规模,但古希腊艺术家却几乎从未在艺术作品中表现其中的重大历史事件或人物。相反,他们钟情于刻画古希腊人与东方敌人之间的神话大战,特别是与亚马逊人(神话中的女战士)的战争。在公元前五世纪上半叶,雅典的提塞翁神庙和彩绘柱廊(希腊语:Stoa Poikile)上均装饰有这种大型战争壁画。这只涡形双耳喷口杯(勾兑酒和水的大酒杯)上刻画的场景即受到这一风格的影响。

Artwork Details

Object Information
  • 标题: 据传作者为长毛萨梯的画家绘有希腊人和亚马逊人之战及半人马和拉皮斯之战的涡形双耳喷口杯
  • 创作日期: 约公元前450年
  • 文化: 古希腊,阿蒂卡
  • 材料: 赤陶
  • 尺寸: 高25英寸(63.5厘米)
  • 来源信息: 罗杰斯基金,1907年
  • 藏品编号: 07.286.84
  • Curatorial Department: Greek and Roman Art

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Cover Image for 1036. Terracotta volute-krater (bowl for mixing wine and water)

1036. Terracotta volute-krater (bowl for mixing wine and water)

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The monumental form of this vessel is like an architectural support for the band of palmettes beneath the rim, and the two great battle friezes in the registers below. Two scenes from Greek mythology are depicted here.

In the smaller frieze on the neck of the vessel, men fight with centaurs. Sometimes the centaurs act as people should, and sometimes they are wild and rowdy animals. The bridegroom Peirithous invited them to his wedding, trusting them to behave. Instead, they got quite drunk and tried to carry off the bride and the other women present. The men are now at arms to set things straight. In the center of the scene, a nude Greek swings an axe above his head, while the centaur across from him holds up a checkered pillow.

The lower, larger scene shows the battle between the Greeks and the Amazons. The battle is fierce and the two sides evenly matched. An Amazon attacks a nude Greek on the ground with her spear. Walk around the vase to the right. Under the handle, a standing Greek forces an Amazon beyond the lower boundary of the scene.

Both battles were favorite themes in Greek art. In the fifth century B.C., Athens was exultant over the Greek victory in the Persian Wars. The Amazons were supposed to have come from the Near East; they may be metaphorical substitutes for the Persians, who were accused of effeminacy in Athenian rhetoric. The centaurs stand for chaos and barbarism pitted against the forces of civilization.

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