ギリシャ人とアマゾンの戦士、ケンタウロスとラピス人の戦いを描いた渦形クレテル

ca. 450 BCE
On view at The Met Fifth Avenue in Gallery 153
ギリシャ人がペルシャ戦争(紀元前490年–前479年)での勝利の重大さを理解していたことは、紀元前5世紀の文学作品から明らかですが、ギリシャ美術では歴史上の出来事や人物を描くことはほとんどありませんでした。それよりも、ギリシャ人と、特にアマゾン人(神話に登場する女戦士の一族)を始めとする神話上の東方の敵との壮絶な戦いを題 材とするのが一般的でした。紀元前5世紀前半には、これらの戦いを描いた大規模な壁画がアテネのテセイオン神殿とストア・ポイキレ(彩色柱廊)を飾りました。その影響が、この渦形クレテル(ワインと水を混ぜる容器)に描かれた場面にも表れています。

Artwork Details

Object Information
  • 題: ギリシャ人とアマゾンの戦士、ケンタウロスとラピス人の戦いを描いた渦形クレテル
  • アーティスト: 伝 毛深いサテュロスの画家
  • 月日: 紀元前450年頃
  • 文化: ギリシャ、アッティカ
  • 手法: テラコッタ
  • 寸法: 高さ63.5 cm
  • 提供者: ロジャーズ基金、1907年
  • 受け入れ番号: 07.286.84
  • Curatorial Department: Greek and Roman Art

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Cover Image for 1036. Terracotta volute-krater (bowl for mixing wine and water)

1036. Terracotta volute-krater (bowl for mixing wine and water)

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The monumental form of this vessel is like an architectural support for the band of palmettes beneath the rim, and the two great battle friezes in the registers below. Two scenes from Greek mythology are depicted here.

In the smaller frieze on the neck of the vessel, men fight with centaurs. Sometimes the centaurs act as people should, and sometimes they are wild and rowdy animals. The bridegroom Peirithous invited them to his wedding, trusting them to behave. Instead, they got quite drunk and tried to carry off the bride and the other women present. The men are now at arms to set things straight. In the center of the scene, a nude Greek swings an axe above his head, while the centaur across from him holds up a checkered pillow.

The lower, larger scene shows the battle between the Greeks and the Amazons. The battle is fierce and the two sides evenly matched. An Amazon attacks a nude Greek on the ground with her spear. Walk around the vase to the right. Under the handle, a standing Greek forces an Amazon beyond the lower boundary of the scene.

Both battles were favorite themes in Greek art. In the fifth century B.C., Athens was exultant over the Greek victory in the Persian Wars. The Amazons were supposed to have come from the Near East; they may be metaphorical substitutes for the Persians, who were accused of effeminacy in Athenian rhetoric. The centaurs stand for chaos and barbarism pitted against the forces of civilization.

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