In antiquity, heads were often carved separately from the statues for which they were intended. The head was made with a convex tenon that could be set into a specially prepared cavity in the statue. The juncture was concealed by a line of drapery. This finely carved head of a young woman must represent a goddess because of its colossal size. Persephone (the daughter of Demeter and wife of Hades, the god of the underworld) and Hygeia (the daughter of Asklepios, the god of medicine) were often represented with hair separated into thick coils pulled back to the top of the head and tied loosely in a knot. Such a knot was probably affixed to this head using three large holes that remain in the back.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Marble head of a goddess
Period:Late Classical
Date:4th century BCE
Culture:Greek
Medium:Marble
Dimensions:H. 21 3/4 in. (55.25 cm)
Classification:Stone Sculpture
Credit Line:Rogers Fund, 1910
Object Number:10.142.1
Said to be from Taranto, South Italy (Richter 1954, p. 236).
[Until 1910, with Arthur Sambon, Paris]; acquired in 1910, purchased from A. Sambon.
Robinson, Edward. 1910. "Two Ancient Marbles." Bulletin of the Metropolitan Museum of Art, 5(12): pp. 276–78, figs. 2–4.
Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p. 229, fig. 139, New York: The Metropolitan Museum of Art.
Chase, George H. 1924. Greek and Roman Sculpture in American Collections. pp. 97–8, fig. 114, Cambridge, MA: Harvard University Press.
Richter, Gisela M. A. 1927. Handbook of the Classical Collection. pp. 268–69, fig. 189, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1930. Handbook of the Classical Collection. pp. 268–69, fig. 189, New York: The Metropolitan Museum of Art.
Metropolitan Museum of Art. 1940. A Special Exhibition of Heads in Sculpture from the Museum Collection: New York, January 16 through March 3, 1940. New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. 1950. The Sculpture and Sculptors of the Greeks, 3rd edn. pp. 146, 499, fig. 443, New Haven: Yale University Press.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 106, 245, pl. 85b, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1954. Catalogue of Greek Sculptures. no. 141, p. 79, pl. 103, Cambridge, Mass.: Harvard University Press.
Geominy, Wilfred. 1984. "Die Florentiner Niobiden. Ph.D. Diss." Ph.D. Diss. pp. 236ff., 459, n. 623, fig. 240. Rheinische Friedrich-Wilhelms-Universität Bonn.
Sobel, Hildegard. 1990. Hygieia: Die Göttin der Gesundheit. pl. 17b, Darmstadt: Wissenschaftliche Buchgesellschaft.
Flashar, Martin. 1992. "Apollon Kitharodos: Statuarische Typen des musischen Apollon." Ph.D. Diss. pp. 38–9, fig. 29. Rheinische Friedrich-Wilhelms-Universität Bonn.
Picón, Carlos A. 2002. "Sculptural Styles of Magna Graecia." Magna Graecia: Greek Art from South Italy and Sicily, Mr. Michael Bennett, Dr. Aaron Paul, and Mario Iozzo, eds. p. 77, fig. 9, Cleveland: Cleveland Museum of Art.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.