A significant amount of Attic pottery was produced for the export to Etruria. Indigenous Etruscan shapes were reinterpreted in Athenian workshops; the Hellenized variants then sold to Etruscan patrons in the west and often buried in their tombs. The Etruscan prototypes generally exist in the sturdy black ware called bucchero. This pair of stands represents the phenomenon of adaptation with a shape unique in Attic vase-painting. They probably held floral or vegetal offerings.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
[Until 1965, with Nicolas Koutoulakis, Geneva and Paris]; acquired in October 1965, purchased from Nicolas Koutoulakis.
von Bothmer, Dietrich. 1975. "Greek and Roman Art." Notable Acquisitions (Metropolitan Museum of Art), No. 1965/1975: p. 124.
von Bothmer, Dietrich, Joan R. Mertens, and Maxwell L. Anderson. 1980. "Greek and Roman Art." Notable Acquisitions (Metropolitan Museum of Art), No. 1980/1981: p. 14.
Moret, J.-M. 1984. Œdipe, la Sphinx et les thébains: essai de mythologie iconographique, Bibliotheca Helvetica Romana 23, 2 vols. p. 23 n. 2, p. 74 n. 9, Rome: Institut suisse de Rome.
Milleker, Elizabeth J. 1992. "Ancient Art: Gifts from The Norbert Schimmel Collection: Greek and Roman." Bulletin of The Metropolitan Museum of Art, 49(4): pp. 43–44.
Sparkes, Brian. 2000. "Sikanos and the Stemmed Plate." Periplous: Papers on Classical Art and Archaeology Presented to Sir John Boardman, Mr. Gocha R. Tsetskhladze, A. J. N. W. Prag, and Anthony M. Snodgrass, eds. pp. 323–24 n. 3, fig. 3, London: Thames and Hudson.
Padgett, J. Michael. 2003. The Centaur's Smile: The Human Animal in Early Greek Art no. 71, pp. 280–81, Princeton: Princeton University Art Museum.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 102, pp. 96, 425, New York: The Metropolitan Museum of Art.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 2009. Supplementum: Abellio-Zeus. "Sphinx," pp. 459–60, no. add.6, pl. 221, Düsseldorf: Artemis Verlag.
Mertens, Joan R. 2010. How to Read Greek Vases. no. 21a, pp. 24, 108, 111, New York: The Metropolitan Museum of Art.
de Puma, Richard Daniel. 2013. Etruscan Art in the Metropolitan Museum of Art. p. 310 [p. 105 n.123], New Haven and London: The Metropolitan Museum of Art.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.