Le Nouvel Opéra de Paris (Sculpture Ornementale)
Among the most lavish Second Empire monuments was the Paris Opéra, designed by Charles Garnier. Elaborately decorated in a neo-Baroque style and devoting as much space and luxe to grand ceremonial arcades, foyers, and staircases as to the theater hall proper, Garnier's design was selected in 1860 from among 171 entries and, once built, served as a model for many late-nineteenth-century theaters around the world. Construction of this elaborate confection required the clearing of some three acres and lasted until January 1875-more than four years after the fall of Napoleon III.
Along with countless construction workers, masons, and artisans, some sixty-five sculptors worked on the statuary and ornamentation of the Opéra. In this photograph, stone carvers two hundred feet above the street chip away at the enormous garlands of fruit that formed the decorative freize on the sides of the fly tower.
Along with countless construction workers, masons, and artisans, some sixty-five sculptors worked on the statuary and ornamentation of the Opéra. In this photograph, stone carvers two hundred feet above the street chip away at the enormous garlands of fruit that formed the decorative freize on the sides of the fly tower.
Artwork Details
- Title: Le Nouvel Opéra de Paris (Sculpture Ornementale)
- Artist: Louis-Emile Durandelle (French, 1839–1917)
- Date: 1865–72
- Medium: Albumen silver print from glass negative
- Dimensions: 38.3 x 27.9 cm. (15 1/16 x 11 in.)
- Classification: Photographs
- Credit Line: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1995
- Object Number: 1995.9
- Curatorial Department: Photographs
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