Steichen added color to the platinum photograph that forms the foundation of this print using layers of pigment suspended in a light-sensitive solution of gum arabic and potassium bichromate. Together with two variant prints in other colors, also in the Museum's collection, The Flatiron is the quintessential study of twilight. Clearly indebted in its composition to the Japanese woodcuts that were in vogue at the turn of the century and in its coloristic effects, to the Nocturnes of Whistler, this picture is a prime example of the conscious effort of photographers in the circle of Alfred Stieglitz to assert the artistic potential of their medium.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed and dated in red crayon on print, recto BRC: "STEICHEN// MDCCCCV"; inscribed in pencil on mount, verso C: "The Flat Iron // Platinum Gum // (Blue Print) // 'About the best print of subject' (AS) // Property of Alfred Stieglitz value $125"; number inscribed in pencil, verso BC: “18b”
Edward Steichen; Alfred Stieglitz
New York. The Metropolitan Museum of Art. "The Collection of Alfred Stieglitz," May 18–July 16, 1978.
The Metropolitan Museum of Art. "Photographs from the Museum's Collection," December 4, 1984–March 17, 1985.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 7," December 12, 1994–March 12, 1995.
The Metropolitan Museum of Art. "Paul Strand and His Contemporaries," February 10–May 31, 1998.
The Metropolitan Museum of Art. "Pictorialism in New York, 1900-1915," February 10–May 31, 1998.
Whitney Museum of American Art. "The American Century: Art and Culture, 1900-2000," April 22, 1999–September 5, 1999.
Whitney Museum of American Art. "Edward Steichen," October 5, 2000–February 4, 2001.
New York. The Metropolitan Museum of Art. "Stieglitz, Steichen, Strand," November 8, 2010–April 10, 2011.
New York. The Metropolitan Museum of Art. "Stieglitz and His Artists: Matisse to O'Keeffe," October 13, 2011–January 2, 2012.
New York. The Metropolitan Museum of Art. "Making The Met, 1870–2020," August 29, 2020–January 3, 2021.
Stieglitz, Alfred, ed. Camera Work: A Photographic Quarterly 14 (April 1906). fig. VIII.
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. 1st ed. New York: The Metropolitan Museum of Art, 1978. no. 477.
Phillips, Lisa. The American Century: Art & Culture, 1900–1950. New York: Whitney Museum of American Art, 1999. p. 49.
Smith, Joel. Edward Steichen: The Early Years. Princeton: The Metropolitan Museum of Art, 1999. pl. 20.
Haskell, Barbara. Edward Steichen. New York: Whitney Museum of American Art, 2000. no. 26, p. 67.
The Met's Department of Photographs houses a collection of more than 75,000 works spanning the history of photography from its invention in the 1830s to the present.
Edward J. Steichen (American (born Luxembourg), Bivange 1879–1973 West Redding, Connecticut)
1943
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.